The Fall Guy

GoMovieReviews Rating: ★★★The Fall Guy

Rated: M

Directed by: David Leitch

Written by: Drew Pearce

Based on the TV Series by: Glen A. Larson

Produced by: Guymon Casady, David Leitch, Kelly McCormick

Starring: Ryan Gosling, Emily Blunt, Aaron Taylor-Johnson, Hannah Waddingham, Teresa Palmer, Stephanie Hsu, Winston Duke, Zara Michales, Ben Knight.

‘I’m just the stunt guy.’

Ryan Gosling as stunt man Colt Seavers to super star, Tom Ryder (Aaron Taylor-Johnson) brings back the adorable to a tough guy role, ‘Did she say anything about me?’

Because after Colt breaks his back during a stunt on set, he disappears from his girlfriend, camera person, Jody Moreno (Emily Blunt).

Colt changes his number.

He gets a job parking cars.

Then Colt gets called back to work by Tom’s agent Gail (Hannah Waddingham) directed by none other than his ex, Jody.

Gail tells him Jody wants him back.

Colt definitely wants her back.

He just doesn’t know how to say it.  He just does things like cry his eyes out to Taylor Swift and pulls the tie under Jody’s gardening hat snug under her chin.

Did I say adorable?

I was surprised about how much of this movie is a romance between these two: stunt man and camera person turned director.

And as advertised, The Fall Guy is also a stunt movie, based on the TV series from the 80s, filmed in Sydney Australia which is pretty cool, with so very many explosions and I have to say terrible humour.

Think a Post-it note with, ‘Sell cockatoo’ written on one side and on the other, ‘Buy koala.’

The Aussie references hit like a lead balloon.

And the not so subtle dual meaning of the movie storyline and romance was overcooked, as was the fast forward dialogue.  It felt like there was one speed and it was run around, talk fast at highly agitated levels and again, explosions.  It was too much.

Colt when tied up and trying to talk his way out even talks about movies made with ‘too much.’

But I have to say those hesitations and head flicks from Gosling added just the right amount of giggle because it was subtle.

And yes, the addition of a unicorn to illustrate Colt’s state of mind was clever and genuinely funny.

So, yes there’s a lot of fun here, but unlike the stunts, not all the humour landed.

 

Us

Rated: MA15+Us

Directed by: Jordan Peele

Written by: Jordan Peele

Produced by: Jordan Peele, Sean McKittrick, Jason Blum, Ian Cooper

Starring: Lupita Nyong’o, Winston Duke, Elisabeth Moss, Tim Heidecker, Yahya Abdul-Mateen II, Anna Diop, Evan Alex, Shahadi Wright Joseph, Madison Curry, Cali Sheldon, Noelle Sheldon.

‘What do you want?’ asks Adelaide Wilson (Lupita Nyong’o) of her shadow.

‘What do we want?!’ her reflection, Red replies.

Us is a film of many layers, the use of reflection, of Adelaide talking to herself reflected in a glass window; shadows tethered to bodies, while waving across the sand: ‘Once upon a time, a girl was born with a shadow…’ introduce the folklore of the doppelgänger to create the fear of self as an everyday American family meet their Other selves, while vacationing at their summer beach house in Santa Cruz.

It’s a strange setting for a horror-thriller – going to the beach as a family of husband, Gabe (Winston Duke), wife, Adelaide, daughter, Zora (Shahadi Wright Joseph) and son, Jason (Evan Alex); meeting friends, hanging out on lounges, drinking, well husband and wife, the Tylers’ (Elisabeth Moss, Tim Heidecker) drinking while their two teenage daughters Becca and Lindsey (Cali Sheldon, Noelle Sheldon) play in the sand.

And that odd play of normality, just off kilter, sets the tone of the film.

Us is different to what I expected.

I thought I was walking into creeps and super-scary, but for me, I found the film thought-provoking, and sure, suspenseful, lightened by this incredibly dark satire.

Director, writer and producer Jordan Peele states, “Horror and comedy are both great ways of exposing how we feel about things…  The comedy that emerges from a tense moment or scene in a horror film is necessary for cleaning the emotional palate, to release the tension.  It gives your audience an opportunity to emotionally catch up and get prepared for the next run of terror.”

I wholeheartedly agree there’s a close link between horror and humour.  There’s a fine line between the two, tapping into an old part of our brain that can react with fear or laughter, if the moment misses the mark – I’m not afraid of the dark, ha-ha.  To tap into this reaction and include a character like husband Gabe bases the film in normality, because that’s the way people behave: tissue up a bloody nostril, and statement, ‘almost looks like some kind of fucked-up art instalment,’ included.

Winston Duke really nailed the character, Gabe and I appreciated this layer of bizarre humour to lighten the strange – as Jorden states above, to, ‘clean the palate’.

Jordan has managed to tie the normality of the family priority: money, cars, competition in the face of brut survival – like reacting to threat with violence being the most normal thing in today’s world.   Never forgetting how cool it is to own a boat.

The story hangs on this story of a family, of a mother still traumatised by an incident in her past, back in 1986 when she gets lost as a little girl in a Fun Park, where she meets her Other.  And vacationing back in the place of that first incident creates a domino effect of coincidence, until, her family meets…  Hers.

But there can only be one self.  That’s where the horror comes in, with some good blood and guts – yet the film’s not really about the doppelgänger, it’s more about what the doppelgänger represents: evil, the shadow, the end of times:

The verse from Jeramiah 11:11 also a running theme through-out the film:

There thus saith the Lord, Behold, I will bring evil upon them, which they shall not be able to escape; and though they shall cry unto me, I will not hearken unto them.

So, did I like the movie?

Honestly, Us wasn’t as scary as I thought it was going to be.

Yet, the careful handling of timing and layering of complicated ideas and story made a unique viewing experience.  And I kept giggling – strangely, the humour was what affected me the most – while also thinking about the comment made about the ones we’ve abandoned far below the tunnels of ourselves.

Black Panther

Rated: MBlack Panther

Directed by: Ryan Coogler

Written by: Ryan Coogler and Joe Robert Cole

Based on the Marvel Comics by: Stan Lee and Jack Kirby

Produced by: Kevin Feige p.g.a

Starring: Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Sterling K. Brown, Angela Bassett, Forest Whitaker, Andy Serkis.

Growing up, black panthers were my favourite animal.  I remember whispering to my cat, asking to bring one of their cousins home for a visit.  Probably a good thing the wish never came true as a super hero I am not.  Nor have I been a big fan of super hero movies.  But Black Panther is a powerful and rich story that is beautiful and unique.

And yeah, there’s some pretty cool action as well.

The character, Black Panther (Chadwick Boseman) made his debut on film in, Captain America: Civil War (2016).

Well received, we now have the story of the Black Panther; a script based on the Marvel comics written by Stan Lee (who’s making a habit of popping up in films based on his characters) and Jack Kirby.

This is a story of T’Challa, the son of the African King of Wakanda who becomes the Black Panther after his father is murdered by Ulysses Klaw (Andy Serkis).

It’s a unique tale of the tribal nature of Africa combined with futuristic technology made from the hardest metal on Earth – Vibranium.  There’s also the mystical here with a black panther showing the Wakanda ancestors where to find the Vibranium, and how eating an herb of blue flowers enhances abilities making the Black Panther super-human.

See an informative and interesting article here describing the history of the comic of Black Panther written by: David Roach and Peter Sanderson.

Directed by Ryan Coogler (Creed 2015), Black Panther the movie is filled with colour, expansive landscapes (Rachel Morrison) and strong, layered characters.

There’s a lot of elements brought together by an emotive soundtrack (Ludwig Göransson) that soars and causes that swelling in the chest you get when the characters are doing right no matter what the cost.

It’s not often you get such a visual, action-packed sci-fi that causes such an emotional response.

The politics and message of the film could have turned the tone saccharine, but the careful handling of director Coogler and strong acting from the cast made the message poignant and thought-provoking.

It was a pleasure to embrace the beauty of the colourful nation of Wakanda – the costuming (Ruth E. Carter) of the inhabitants also a standout.

And the layering of characters with good and bad in all; where people can be the products of circumstance, allowing an understanding of why people behave the way they do.  Where integrity and the strength and clarity to make the right choices are needed to make any change worthwhile.

There’s a reason this film has been so successful as the appeal is wide and the message runs deep.

What a fantastic story and what a successful adaptation to the big screen.

Black Panther is not only exciting and beautiful to watch, an emotional chord is struck, provoking thought of what it is to be human.

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