Rated: MA15+
Directed by: Josie Rourke
Written by: Beau Willimon
Based on the Book, “Queen of Scots: The True Life of Mary Stuart” by John Guy
Produced by: Tim Bevan, Eric Fellner, Debra Hayward
Starring: Saoirse Ronan, Margot Robbie, Jack Lowden, Joe Alwyn, Gemma Chan, Martin Compston, Ismael Cordova, Brendan Coyle, Ian Hart, Adrian Lester, James McArdle, with David Tennant, and Guy Pearce.
In the same vein of Elizabeth (1998) staring Golden Globe winner for Best Actress, Cate Blanchett, Mary, Queen of Scots is an intricate film of politics, love, betrayal, stupidity and power.
This is Josie Rouke’s directional debut, her success here, the ability to show the rivalry and complicated relationship between the two half-sisters: Queen Mary and Queen Elizabeth.
Mary returns home from France, married at 16 only to become a widow at 18, to return as Queen of Scotland with rightful claim to England, the power in her blood as a Stuart. A power she has to continually fight for against the male dominated world of 1587. Where women are condemned as evil, especially returning as Catholic in a land whose foundations rest on the Church of Scotland.
Elizabeth also struggles in a male dominated world.
As a Protestant, Queen Elizabeth has forsaken the ties of the Catholic Church, renouncing the Papas, yet, she struggles to renounce her sister.
And the careful confrontation and manoeuvring for power between the two fiery sisters is fascinating to watch.
We get the intrigue of House of Cards but set in the ‘resplendent’ (as Queen Elizabeth is described by her constant companion and lover Robert Dudley (Joe Alwyn)) rolling lands of Scotland and England to jewels sparkling in candle-lit rooms filled with gentle women and plotting aristocracy, where Elizabeth acknowledges the treachery of men and her necessity to become one in order to remain on the throne.
There’s a lot to unpack, being one of those epic films; but the way the film is shown with Mary speaking to the audience, watching herself at times, telling her tale. And the symbolism of Elizabeth burning an intricate quilled portrait of red poppies, her obsessive creating of red flowers flowing across the floor like blood from her empty womb hold the attention, to be absorbed into the tragedy and intrigue of the story.
There’s so much attention to detail here, portraying Mary in a different light to the general condemnation of history; the tragedy of being sentenced to death by beheading, ordered by her half-sister, Elizabeth – her reputation, based on unfounded rumours and lies spread by her own Council of sexual depravity and betrayal. A reputation that has followed Mary into the ages.
The film, based on the detailed historical book, “Queen of Scots: The True Life of Mary Stuart” written by John Guy shows there’s so much more to be told about this powerful woman.
‘There’s a time for wisdom, love. And there’s a time for strength,’ Mary tells her half-brother, a statement backed by a cold, icy stare shown so well by Saoirse Ronan.
And Margot Robbie shows a continued depth and maturity as an actress in her role of Queen Elizabeth.
Not quite capturing the embodiment of the steal and soft that Cate Blanchett managed to bring to Queen Elizabeth, there’s strong performances here, the success of the film not only an interesting story, but the careful balance between the two powerful protagonists of Queen Mary and Queen Elizabeth: where only a queen could understand the burden of ruling a kingdom while remaining each other’s greatest threat.
