Nat’s Top 10 Movies for 2021

The gritty crime thriller is still my favourite genre, taking out the number one spot for 2021.

This year has also been about soundtrack and not just music but the use of silence, drawing the audience in.

I’ve included movies with high exposure and many hidden gems that push the boundaries of cinema or simply warm the heart.  Enjoy!

10. High Ground

It’s bringing the land into the story that makes this film unique.

I am Gutjuk, meaning hawk.

The totem of the hawk a constant presence, a forever watchful eye.  High above, everything.

9. Alien On Stage

A light-hearted good fun documentary that delivers.

8.  White Lie

An absorbing psychological thriller.

7. Black Box (Boîte Noire)

A finely tuned and balanced suspense-thriller that had me hanging on every turn.

6. The Worst Person In The World

A journey that ended up in places unexpected – sexy, clever, sad and poetic.

If you’re not usually a fan of romance, this is one of the good ones.

5. Little Joe

It’s clever.  But the tone of film isn’t about being clever; it’s just different.  And interesting, with a subtle flavour of the disconcerting.

4. Dune

I was awed by this film, with mouth dropping open at the scenery, the use of light, the pattern of rock, the flowing yellow fabric of Lady Jessica’s dress in the desert wind, the explosive bombs dropping from spaceships, desecrating the landscape below and the story of betrayal, political play and intrigue.

3. A Quiet Place II

There’s that absolute silence that again invites the audience to lean in, to then jump (there are so many jumps!) with explosive action, the audience gasping and twittering as the monsters prowl, purr and claw people apart.

Jumping forward to Day 474.  It gets tense.

2. Those Who Wish Me Dead

Edge-of-your-seat suspense hits from the opening scene.

 

1. Deliver Us From Evil (Daman Ak-ehseo Guhasoseo)

If you’re a fan of a gritty crime-thriller, you’re in for a treat.

Those Who Wish Me Dead

Rated: MA15+Those Who Wish Me Dead

Directed by: Taylor Sheridan

Screenplay by: Michael Koryta, Charles Leavitt and Taylor Sheridan

Based on the Book by: Michael Koryta

Produced by: Steven Zaillian, Garrett Basch, p.g.a., Aaron L. Gilbert, Kevin Turen, Taylor Sheridan, p.g.a.

Starring: Angelina Jolie, Finn Little, Jon Bernthal, Aidan Gillen, Nicholas Hoult, Jake Weber, Medina Senghore, Tyler Perry, Boots Southerland, Tory Kittles, James Jordan, Lora Martinez-Cunningham, Howard Ferguson JR., Ryan Jason Cook, Laura Niemi.

“I did the right thing.”

Those Who Wish Me Dead has everything I expected from a Taylor Sheridan film.

The edge-of-your-seat suspense hits from the opening scene: with flashes to black to a parashuter, smokejumper Hannah (Angelina Jolie) falling into the smoke of a raging fire.

Then the layering of story, that impending doom as forensic accountant Owen (Jake Weber) flees with his son Connor (Finn Little) – there’s a directive to kill those who know too much.  No survivors.  It’s a zero sum game.

So father and son escape to the forests of Montana where Owen’s late wife’s brother lives – Ethan (Jon Bernthal), also a sheriff.

But if the worst happens, Owen gives his son a note with all his secrets, to, ‘Give to someone you can trust.’

When Hannah finds Owen wandering in the forest, is she someone he can trust?

She’s a firefighter, haunted by nightmares of her past.  She’s a tough cookie, loved by her team, her fellow firies who see the wild as she drinks, releases a parachute from the back of a truck while still attached.

What they don’t see is her guilt.  But Ethan sees her.  He’s also her ex.

The small town relationships are intertwined – a delicate balance as two hitmen, (Aidan Gillen, Nicholas Hoult) bring disaster, chasing down survivors.  Chasing a young boy who knows too much.

There’s a lot going on in this film but it’s all so well handled and balanced I felt like I was watching this intense story unfold in real time.  While gripping the arms of the cinema chair, holding my breath.

Those Who Wish Me Dead

As well as the suspense, there some shocks and jumps alongside the well-thought crime thriller.

There’s also the relationships, authentic characters and awe inspiring scenery (director of photography Ben Richardson (Wind River (2017)) – those huge expanses of landscape, the clouds and then the fire storm devouring everything like a monster.  Like Hannah’s demons come back to chase her.

But even more than a great story (love a movie based on a book if the screenplay is done right) and cinematic shots and detail like gunfire flashing light in the eye of a killer – every single character was perfectly cast and absolutely believable.

Angelina was made for this role – down to earth, tough, haunted, fighting her way back from guilt by saving this kid.

So there’s a focus on the drama in this film rather than a deep dive into the case the forensic accountant was running away from.  And wow, a rarity for me, the finely balanced intricacies of the drama was more compelling than the crime.  Very rare.

Yet still – that suspense!

Yeah, I liked this movie.  Every bit.

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