Who needs to go on a rollercoaster when all you had to do was survive 2024?
There have been movies that have blown me away, Denis Villeneuve deserves a special mention, and there’s been some painful flops that left me scratching my head; Megalopolis and Joker: Folie À Deux pushing the boundaries, in my opinion, without success.
Then there’s the body horror of, Substance, and the not quite making it to my list, Longlegs, Heretic, Better Man and Monkey Man that are worth a watch. And then there’s Wicked Part I that I enjoyed in spite of myself.
But when it comes to recommendations, I’ve compiled a Top 5 List that had me smiling, crying, shaking with hands in front of face to mouth agape at the spectacle that is the best cinema of 2024.
Produced by: Daniel Bekerman, Jacob Jarek, Ruth Treacy, Julianne Forde, Louis Tisné, Ali Abbasi
Starring: Sebastian Stan, Jeremy Strong, Maria Bakalova, Martin Donovan, Catherine McNally, Charlie Carrick.
‘If you’re indicted, you’re invited.’
A clever play on the Donald Trump TV series, (‘you’re fired’) The Apprentice, the apprentice, here, is Donald Trump.
Based on true events, the film is about the relationship between Trump (Sebastian Stan) and ruthless lawyer, Roy Cohn (Jeremy Strong).
Director Ali Abbasi states: “I hope that people, no matter how they might feel about Donald Trump, can watch the film and really experience this relationship. It’s not supposed to be an ideological attack or a polemic debate. It’s about depicting a certain complexity in these human beings.”
The film begins in the 70s, when New York was known as The Fear City.
With his father’s (Freddy Trump (Charlie Carrick)) company currently indicted for a racist policy when leasing apartments in their buildings, Donald’s dream of converting the debilitated Commodore Building into a luxury hotel is impossible.
Meet, Roy Cohn.
Roy’s first seen with a devilish look through an open doorway – he sees Trump struggling to make an impression on his date, ‘Why are you so obsessed with these people?’
Because Trump knows that the people in this place are billionaires, the decision makers with connections.
And he wants to be one of them.
Cohn takes pity on Trump. He likes him. So agrees to show Trump how it’s done, starting with his three golden rules of winning:
Rule 1. Attack. Attack. Attack.
Rule 2. Admit nothing. Deny everything.
Rule 3. Claim victory and never admit defeat.
Trump needs to be able to do anything to anyone.
There’s a naivety to Trump in the early days – cap in hand, knocking on tenant’s doors to collect rent. Compared to Cohn and his connections, Trump is a mild-mannered businessman who likes the ladies.
Trump is uncomfortable drinking, he doesn’t smoke, do drugs. Except for taking diet pills, AKA cheap amphetamine, so instead of sleeping, he can continue to make deals.
Trump loves making deals.
He also falls for Ivana.
Ivana isn’t like other girls. She’s feisty. Ambitious.
Roy makes sure she signs a prenup.
This is Trump’s origin story. He comes from a solid but dysfunctional family with a tyrannical father that’s ashamed of his eldest son because he’s an airline pilot.
The loose parties Cohn hosts are something Trump hasn’t seen before.
‘If you’re indicted, you’re invited.’
But Trump’s a businessman who wants success. And Cohn is the man to get him to the top.
As Trump’s apprenticeship comes to an end, the power Trump cultivates begins to corrupt:
‘Run ‘em over Simon,’ he tells his driver as they’re stopped by an AIDS protest.
‘I’m kidding,’ he adds.
Over time it becomes apparent Trump has no shame.
“In life, there are two types of people. There are killers, and there are losers.”
—Donald J. Trump
TheApprentice is a vastly entertaining film, the image a gritty 70s vibe.
The tone is set with the red light of dabaucherous parties, the perfectly timed moments like Trump holding onto his vomit until he gets out of Roy’s car – then sputtering an upchuck out on the street to confirm his make-or-break appointment – to the city reflected in Trump’s eye as he observes his dominion.
Writer Gabriel Sherman (author of the New York Times best-selling biography of Fox News founder Roger Ailes, The Loudest Voice in the Room), states: “My worst nightmare for THE APPRENTICE was that it was going to be something predictable or bland, or on the other extreme, a political polemic that’s just one-dimensional cartoon,” Sherman says. “I wanted to write these three-dimensional characters that were complicated and flawed and surprising and frustrating just in the way that real people are.” Adds Baer: “I knew that this film would have so many inherent challenges along the way, and I didn’t want to add another one by having it perceived as a political statement by an American director.”
The Apprentice is anything but bland or predictable.
A great storyline that’s more a psychological unpacking of Trump’s origin than political statement, with pacing and pitch perfect performances make this a much better than expected film.
Who needs to go on a rollercoaster when all you had to do was survive 2024?