Dora And The Lost City Of Gold

Rated: PGDora And The Lost City Of Gold

Directed by: James Bobin

Story by: Tom Wheeler and Nicholas Stoller

Screenplay by: Nicholas Stoller and Matthew Robinson

Produced by: Kristin Burr p. g. a.

Executive Produced by: Julia Pistor, Eugenio Derbez, John G. Scotti

Starring: Isabela Moner, Eugenio Derbez, Michael Peña, Eva Longoria, Adriana Barraza, Temuera Morrison, Jeff Wahlberg, Nicholas Coombe, Madeleine Madden, and Danny Trejo.

A good fun peppy adventure teen-movie.

It’s hard not to at least have come across Dora the Explorer at some stage – I remember waking up with a self-inflicted sore head on Boxing Day or Christmas morning to a painfully cheery voice as a young nephew watched an excited Dora exclaiming Spanish words on TV.

So, I wondered what a movie adaptation would make of a little girl teaching Spanish – can you say, Dora The Explorer not the cartoon version but human?

Yet the film immediately charms by referencing Dora’s teaching behaviour with Dora’s parents (Michael Peña and Eva Longoria) looking around confused, trying to figure out who Dora is actually speaking to – ‘She’ll grow out of it.’ Says archaeologist, professor dad (Michael Peña hilarious in this role).

So I felt the adaptation had something going for it if the writers have turned the film into a meta conversation while having at laugh at itself.

And Isabela Moner as Dora was well-cast as the warm-hearted teen who has learnt everything she knows about life from the jungle.

But it’s time for Dora to find friends her own age (and species); it’s time, for Dora to move to the city and start High School.

This is a film aimed at a younger audience as peppy Dora fights to be herself while also trying to fit in.

But it’s a kid movie made with sophistication, with montages of polaroids depicting Dora’s journey as a cut-out aeroplane moves across a map, the film reverting from live people to cartoon characters, the continued self-referencing – ‘Let’s make a song out of it!’.  And the soundtrack was pretty cool as well.

What I really liked about the film is how the teen-learning-life-lessons turns into an adventure movie.

It took a while to get going, my nephew telling it how it is asking, ‘Why is she called Dora The Explorer if she’s not exploring?”

Then, the search for Parapatas (The Lost City Of Gold) heats up.

So instead of trying too hard with the jokes (that didn’t always hit the mark, for me, anyway), there’s more clever and adventure while solving ‘jungle puzzles’ and making friends, flipping the film from teen, to cute (see Mr Boots, so obviously an animated puppet, yet still very entertaining), to cartoon Dora, to full action adventure – mind altering spores included.

So the film brings the adults on-side while keeping the kids entertained with the rest of it.

I’m not saying the film was mind blowing, but in the end, I had some fun watching this one.

Aquaman

Rated: MAquaman

Directed by: James Wan

Story by: James Wan, Will Beall, Geoff Johns

Screenplay by: Will Beall, David Leslie Johnson-McGoldrick

Based on characters created by: Paul Norris and Mort Weisinger for DC

Produced by: Rob Cowan, Peter Safran

Starring: Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Yahya Abdul-Mateen II, Nicole Kidman, Ludi Lin and Temuera Morrison.

Aquaman was always going to be a difficult adaptation – the film about ‘fish boy[‘s].  No, it’s fish men!’; the setting underwater.

But with James Wan as director and one of the writers, I went into the film somewhat reassured.

Then the film opened with Atlanna (Nicole Kidman), Atlantean royalty meeting a surface dweller, and I was thrown because I just couldn’t believe I was seeing an Atlantis queen falling in love, the contrast a little too much.

Perhaps it was seeing Nicole Kidman as an action figure?!

And there were times when I really couldn’t decide whether to laugh with the film or at it – the guitar riff to highlight a joke not helping.

Yet, as the film progressed and Jason Momoa as Aquaman opened up to give us a down-to-earth (well, half-surface dweller, half-Atlantean Arthur Curry) hero, I became more absorbed.

Forbidden love between a queen of the sea and a man from the surface bears a forbidden son, a half-breed.  Aquaman.

Yet even as a half-breed, Aquaman has the right to claim the throne of Atlantis instead of his younger brother Orm (Patrick Wilson) who plots to become the Ocean Master; to bring together all seven kingdoms of the underwater world: Atlantis, Brine, Fisherman, Xebel, Trench, Deserter and the Lost.  Together they can destroy those on the surface.

Afterall, aren’t the surface-dwellers creating pollution and trashing the sea into poison for those who inhabit its waters?

Those who want peace with the surface dwellers not war, rise to the surface to seek Aquaman to fight for the throne to then save those above and below, with love-interest Mera (Amber Heard) abandoning Atlantis, just like his mother.  All leading to the meeting of the two brothers on opposing sides of an inevitable battle.

The writers have created enough twists and turns to keep the film interesting and it has to be noted the film has a different tone to the other DC, Justice League films.

Aquaman is more a technologically based world with an 80s-esq tone including synth soundtrack and fluorescent lit underwater worlds that become more spectacular as the film progresses.

Let me state again, it gets better!

There’s the expected cheese, because, yeah, this is Aquaman: Son of the land, king of the sea.

But Wan has offset this with humour and his own unique style.

Jason Momoa’s performance as Aquaman certainly helped.

So after an ordinary beginning, Aquaman ramps up to a deliver a visually stunning entertainer that was able to take a laugh at itself with a story that comes full circle.

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