The Wild Robot

GoMovieReviews Rating: ★★★★☆ (4.2/5)The Wild Robot

Rated: PG

Written and Directed by: Chris Sanders

Based on: ‘The Wild Robot’ Novel by Peter Brown

Produced by: Jeff Hermann

Starring: Lupita Nyong’o, Pedro Pascal, Catherine O’Hara, Bill Nighy, Kit Connor and Stephanie Hsu, with Mark Hamill, Matt Berry and Ving Rhames.

‘Funny how life works.’

Opening on a dark and stormy beach, otters sniffing the sand discover a crashed robot.

Meet, ready-to-receive-my-first-task ROZZUM unit 7134 (Lupita Nyong’o).

A ROZZUM AKA Roz always completes its task, just ask.

The Wild Robot analyses life through the lens of a robot’s eyes that has all sorts of fun and weird and wonderful moments including physical mimicry of Roz running around trying to find instruction from a bunch of wild beasts that are terrified of it.

Eventually, Roz the robot saves a goose egg from a conniving fox named Fink (Pedro Pascal).  And watching the egg hatch, as nature instructs, the gosling imprints on the robot.

Roz, now has a task (along with the help of Fink): to raise a gosling, later named Brightbill (Kit Connor), so he’s ready to migrate before winter sets in.

There’s so much to love about this movie, the critters all adorable, not one character out of place.

There’s the family of possums where all the young possums are taught to play dead (well, possum), each explaining the type of death therefore undoing the subterfuge because, ‘dead things don’t have to explain they’re dead.’

When I saw the premise of the film I thought it was a strange idea having a robot in the forest and at best would be cheesy, but the story leans into the pre-programmed robot that can’t feel anything contrasted with the wildlife that are in constant fear of being eaten.

The film doesn’t shy away from the reality of nature, instinct a different type of programming designed to keep animals fed or to flee to stay alive.

Afterall, ‘Death’s proximity makes life burn all the more brighter.’

Then there’s Brightbill that adopts Roz as his mother, snuggling up to the unfeeling metal, that brightens pink lights as a mechanical response to love.

It’s sweet seeing this robot become an unlikely mother with all the difficulty that goes with the ‘crushing obligation.’

There’s a real, flying the nest storyline that plucks the heartstrings but then there’s so much more to the story as Roz shows the forest creatures that kindness is a survival skill.

And that overriding programming can ultimately lead to a better survival.

This is a genuinely funny and heartwarming film that’s good fun for all ages.

 

The Fall Guy

GoMovieReviews Rating: ★★★The Fall Guy

Rated: M

Directed by: David Leitch

Written by: Drew Pearce

Based on the TV Series by: Glen A. Larson

Produced by: Guymon Casady, David Leitch, Kelly McCormick

Starring: Ryan Gosling, Emily Blunt, Aaron Taylor-Johnson, Hannah Waddingham, Teresa Palmer, Stephanie Hsu, Winston Duke, Zara Michales, Ben Knight.

‘I’m just the stunt guy.’

Ryan Gosling as stunt man Colt Seavers to super star, Tom Ryder (Aaron Taylor-Johnson) brings back the adorable to a tough guy role, ‘Did she say anything about me?’

Because after Colt breaks his back during a stunt on set, he disappears from his girlfriend, camera person, Jody Moreno (Emily Blunt).

Colt changes his number.

He gets a job parking cars.

Then Colt gets called back to work by Tom’s agent Gail (Hannah Waddingham) directed by none other than his ex, Jody.

Gail tells him Jody wants him back.

Colt definitely wants her back.

He just doesn’t know how to say it.  He just does things like cry his eyes out to Taylor Swift and pulls the tie under Jody’s gardening hat snug under her chin.

Did I say adorable?

I was surprised about how much of this movie is a romance between these two: stunt man and camera person turned director.

And as advertised, The Fall Guy is also a stunt movie, based on the TV series from the 80s, filmed in Sydney Australia which is pretty cool, with so very many explosions and I have to say terrible humour.

Think a Post-it note with, ‘Sell cockatoo’ written on one side and on the other, ‘Buy koala.’

The Aussie references hit like a lead balloon.

And the not so subtle dual meaning of the movie storyline and romance was overcooked, as was the fast forward dialogue.  It felt like there was one speed and it was run around, talk fast at highly agitated levels and again, explosions.  It was too much.

Colt when tied up and trying to talk his way out even talks about movies made with ‘too much.’

But I have to say those hesitations and head flicks from Gosling added just the right amount of giggle because it was subtle.

And yes, the addition of a unicorn to illustrate Colt’s state of mind was clever and genuinely funny.

So, yes there’s a lot of fun here, but unlike the stunts, not all the humour landed.

 

Everything Everywhere All At Once

Rated: MA15+Everything Everywhere All At Once

Directed by: Daniels (Daniel Kwan and Daniel Scheinert)

Produced by: Daniel Kwan, Daniel Scheinert, Joe Russo, Anthony Russo, Jonathan Wang, Mike Larocca

Starring: Michelle Yeoh, Stephanie Hsu, Ke Huy Quan, Jenny Slate, Harry Shum Jr., with James Hong and Jamie Lee Curtis.

‘No time to wait’.

Evelyn (Michelle Yeoh) and Waymond Wang (Ke Huy Quan) own and run a laundry they live above, in a small apartment with their daughter, Eleanor (Stephanie Hsu) and elderly father (James Hong).

Evelyn sits at the kitchen table, sifting through paperwork.  It’s time to submit their taxes.

A mundane existence.  But seen like life viewed through a mirror.  So even at the beginning, the film feels otherworldly.

That feeling builds as the film circles around again and again, so the sign of a bagel becomes significant, a fanny pack with a fluffy pig hanging as an ornament becomes a weapon, only to reappear later as a tattoo.  Or the mispronunciation of the title of a movie, Racoontouille (instead of, Ratatouille) becomes a reality.

The thought put into the making of this film is seen in the detail of creating this infinite multi-universe where the characters jump from one dimension to the other.  ‘Verse jumping’ gives them the ability of their other self in the another dimension.  So, need martial arts?  Verse jump to a universe where your self has that skill.  All it takes is a particular act, a touch of an earpiece and you’re set.

The particular required act to verse jump gets bizarre and hilarious, as do some of the other selves in other universes.

And the dynamics of the characters fold back again and again with a constant, sometimes gentle humour – a customer’s bag of laundry kept upstairs in the apartment, ‘I think the clothes are happier there’ – and sometimes delightfully twisted humour (sausages for fingers anyone?), weaved all the way through the storyline.

Even the interchange of language from English to Chinese adds to the blurring as Waymond arrives in this universe to take the body of Evelyn’s husband in the current universe to tell her that she’s the only one who can save the multiverse from the evil Toboki (Stephanie Hsu).  All the while tax auditor (Jamie Lee Curtis) is telling Evelyn that there can’t be anything more important than what’s she’s telling her about her current taxes, right now.  And this coming from an award-winning auditor – the phallic trophies on proud display.

I have to say, Jamie Lee Curtis is just pure gold as this tax auditor character.  Absolutely brilliant casting and performance.  Hilarious.

The whole cast is amazing with Michelle Yeoh as Evelyn in what looks like herself as an actress blended into the multiverse story.

There’s some far-reaching ideas here with the title of the movie just so apt.

And added to the Kung Fu fighting and humour there’s also a good foundation to the family drama so I had a good giggle, got a little teary, and was pleasantly surprised by edgy concepts held together with the use of chapters to give the movie structure.

I don’t want to give too much away because there will be plenty of buzz about this film and if you’re reading this review, you’re more than likely going to go watch it and I highly recommend it: go watch it.

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