The County (Héraðið)

Rated:The County

Directed and Written by: Grimur Hakonarson

Starring: Ardís Hrönn Egilsdottir, Sveinn Ólafur Gunnarsson, Hinrik Olafsson, borsteinn Bachmann.

Icelandic with English subtitles

The Co-op grocery store.
The back-stop of the community.

In true farming fashion, Inga (Ardís Hrönn Egilsdottir) pulls a calf from a cow’s womb.
The calf looks up. Healthy.
Inga sits back, proud.

This is a woman who takes pride in her work. Not pride, exactly. Appreciation, of the everyday.

Her husband, Reynir (Hinrik Olafsson) snuggles close to her as Inga works in bed on her laptop, writing.

Seems like an ordinary life – a farm in The County, surrounded by snow on heather; there’s tractors and drinking while watching the game.

Then it starts.

First with a man from the Co-op bailing up a painter for buying his paint from elsewhere.

Then Inga wonders why they can’t buy fertilizer cheaper from a different distributor.

Why should the Co-op decide where they purchase their goods?

Why?

Because the Co-op will take the land from under the farmers if there’s debt.

And how do farmers get out of debt when they’re forced to pay more from the Co-Op?

They can’t.

It’s what Inga calls, ‘The Co-op mafia.’

And she’s not afraid to post articles about it.

The County is a slow burn drama (not really a comedy) that follows Inga as she uncovers the wrong that so many others in the community turn a blind eye to because of the hold one company can have when they’re the only option.

But there’s more to the story then a bent company.

This is a slow tear tracing a cheek as the snow falls.

This is about grief. And letting go.

I like the message here and seeing the strength of character – a woman standing up for what’s right; to free herself.

Quiet in the telling, this is a countryside drama without any thrills, just a good quality character study without flash because Inga wouldn’t need it.

Better to see the truth.

A White, White Day (Hvítur, Hvítur Dagur)

Rated: MA White, White Day (Hvítur, Hvítur Dagur)

Written and Directed by: Hlynur Pálmason

Produced by: Anton Máni Svansson

Music by: Edmund Finnis

Cinematography by: Maria von Hausswolff

Film Editing by: Julius Krebs Damsbo

Starring: Ingvar E. Sigurdsson, Ída Mekkín Hlynsdóttir, Hilmir Snær Guðnason.

WINNER

Best Actor, Cannes International Film Festival 2019 (Critics’ Week)

WINNER

Best Actor, 2019 Transilvania International Film Festival

Opening the Scandinavian Film Festival, A White, White Day (Hvítur, Hvítur Dagur) is a slow, bold and at times beautiful film, the outstanding performance from Ingvar E. Sigurdsson the centre piece to the background of Icelandic scenery.

I was drawn into the landscape of this film, the interest of change while the centre remains the same; the boldness and cheek of a granddaughter, the roar of a monster – it’s a film about grief but shown in images and movement and stillness, showing the process of grief rather than the narrative.

Time is shown as frame, by frame, an old farm house remains static, as each frame shows wind, snow, wild horses, a full moon at night, to daylight and green grass, and eventually, former police chief and grandfather, Ingimundur (Ingvar E. Sigurdsson) arriving with granddaughter, Salka (Ída Mekkín Hlynsdóttir).

They wander around the old house, turning on taps, finding one of the horses in the kitchen.  Laughing together, the scene shows the relationship between grandfather and granddaughter; the natural companionship and exchange between them, the love.

Slowly, we realise that Ingimundur’s wife has died.  He’s a widow.  He used to be a cop.  We see a counsellor ask him not to be so hard on himself.  Not to self-criticise.

To ask: ‘What would be a perfect day?’

We receive no answer, the film cutting to Ingimundur in a rowboat with his granddaughter after they’ve caught a fish.

The editing (Julius Krebs Damsbo) sets the tone of the film, the story shown through image and object to depict the way a retired police chief’s mind works: Ingmiundur plays soccer in his purple boxes with the sea slowly rippling in the background.

He’s found out his wife was unfaithful.  He didn’t know while she was alive. Now, he has questions.

The sea churns.

The film’s a mysterious family drama that revolves around the quiet strength of this man, Ingimundur, who loses his grip as he investigates the infidelity of his beloved wife.  But instead of revenge, his quiet anger shows the depth of this love.

And the mystery of his love is set in the strangeness of fog and snow, as he tells scary tales to his granddaughter, while he quietly grieves.

I was absorbed into that quiet and open feeling like a strange day can create – that’s why the film’s title is, A White, White Day – where the sky and land are both white so they blend, allowing the dead to speak.

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