POKÉMON Detective Pikachu

Rated: PGPOKÉMON Detective Pikachu

Directed by: Rob Letterman

Story by: Dan Hernandez & Benji Samit and Nicole Perlman

Screenplay by: Dan Hernandez & Benji Samit and Rob Letterman and Derek Connolly

Based on: the “Detective Pikachu” video game developed by Creatures Inc.

Produced by: Mary Parent and Cale Boyter

Starring:  Ryan Reynolds, Kathryn Newton, Suki Waterhouse, Omar Chaparro, Chris Geere, Rita Ora, Ken Watanabe and Bill Nighy.

Based on the worldwide phenomenon of, Pokémon and video game, “Detective Pikachu”, this film literally features the beloved Pikachu (Ryan Reynolds) wearing a detective hat.

Tim Goodman (Justice Smith, whom you’ll remember from, Jurassic World: Fallen Kingdom (2018)) lost his ambition to become a Pokémon Trainer when his mother died and his father, Detective Harry Goodman, moved away to Ryme City; a place where Howard Clifford (Bill Nighy) has created a city, not just with Pokémon living in it, but with humans and Pokémon working and living, side-by-side.

After finding out his father has gone missing, Tim travels to Ryme City to discover there’s more to his father’s past than he realised.

Junior journalist, Lucy (Kathryn Newton), with a nose for a good story, seeks the answers to Detective Goodman’s disappearance, only to find Tim without a Pokémon partner – ‘Why does everyone keep asking me that!’.

When a Pikachu appears in his father’s apartment, instead of the characteristic Pokémon stating their own name, like, “Psy-Duck.  PSY-Duck?”  Or in this case, “Pika Pika” – Tim can understand this mysterious Pikachu: this  little guy is talkative, coffee addicted and a self-proclaimed detective.

So the somewhat lonely 21-year-old (not so much with Pikachu dancing on this shoulder), nosey journalist and talkative Pokémon investigate the mystery surrounding Tim’s father.

POKÉMON Detective Pikachu is a combination of animated puppets and live actors – the Pokémon critters brought to life so you just want to reach out and give Pikachu’s fur a scratch, setting his back-leg twitching.

The kids in the audience, ooo’d and ahh’d, particularly at the beginning and introduction into the world of Pokémon (and before the action ramped up): this is a kid movie.

I don’t know why I expected the humour to be more adult.  Probably because Ryan Reynolds does the voice-over of Pikachu.  And although the script doesn’t have that edgy satire I’ve grown used to from Reynold’s characters, this is brilliant casting as he voices some genuinely funny moments like Pikachu making decisions based on ‘feeling it in his jellies.’

There are many amusing moments like the Cubone baby with the bad temper reminding Tim’s best mate Jake (Karan Soni) – would have like more of this character in the film – of his mother.  But the jokes were more of the PG variety: cute and sweet.

The action and effects ramp-up as the story progresses, giving the film some suspense and creating some drama with the hope Pikachu and his human, Tim, make it out of yet another scape.  And we get the conflict between Tim and his father with the breakdown of their relationship after his mother died, and of course the romance between the two human investigators.

So, not the edgy clever I was hoping for, but we get the expected cuteness with some good laughs and action along the way.

The Hitman’s Bodyguard

Rated: MA15+The Hitman's Bodyguard

Directed by: Patrick Hughes

Written by: Tom O’Connor

Produced by: John Thompson, Matt O’Toole, Les Weldon, Mark Gill

Starring: Ryan Reynolds, Samuel L. Jackson, Gary Oldman, and Salma Hayek, Elodie Yung, Joaquim De Almeida, Kirsty Mitchell, with Richard E. Grant.

Darius Kincaid: Well, when life gives you shit, you make Kool-Aid.
Michael Bryce: Life doesn’t usually give you shit and then turn into a beverage.

When Triple A rated executive protection agent, Michael Bryce (Ryan Reynolds) loses or should I say, watches in disbelief as his client is shot by a seemingly impossible bullet in front of him, his life falls from living the dream, like, right up there, to right down there: escorting coked-up stock brokers.

It’s a wasted talent.

So, when super-hitman, Darius Kincaid (Samuel L. Jackson) is put under witness protection so he can testify against, Vladslav Dukhovich (Gary Oldman), an Eastern European fallen dictator for crimes against humanity, it’s up to Bryce to get him to court alive.

If only Kincaid hadn’t tried to kill Bryce 28 times and wasn’t a complete pain in the arse.

The Hitman's Bodyguard

The Hitman’s Bodyguard uses that old-school formula of two guys who annoy the crap out of each other, leading to funny one-liners in between the explosive action of car, boat and motorbike chases to jumping from buildings gracefully or being ejected through a car windscreen.

There’s loads of action here and plenty of gun fights and bloody bits – a surprising amount of blood and swearing.

But the bromance/comedy/action formula is a classic one and works well if you’ve got the right cast, such as Ryan Reynolds versus Samuel L. Jackson.

It was interesting between Jackson and Reynolds because they’re both strong leads. Yet, they worked well with two very different characters bouncing off the other – Bryce (Reynolds) completely unfazed by the intensity that was Samuel L. Jackson as Kincaid which added to the comedy.

Ryan Reynold’s deadpan facial expressions of disbelief and perfectly timed deliveries were what really made the film for me.
The Hitman's Bodyguard

I can understand why the script written by Tom O’Connor was immediately sold as it’s a lot of fun, particularly with so many cars getting blown up (being more of an action entertainer then a thought provoker) but there’s enough development of the characters to create a satisfying emotional tone, so it’s not all just superficial explosions, there’s also a roundness to Kincaid and Bryce that develops as the relationship progresses.  And thankfully not sappy try-hard, but believable, funny and a bit cute with hard-arse Kincaid giving Bryce love advice.

Director, Patrick Hughes, who’s becoming an experienced hand at superstar casted action flicks (think The Expendables 3 (2014)) has put together a well-balanced and entertaining film.  And I was happy to leave the cinema with a grin.

Deadpool

deadpoolGoMovieReviews Rating: ★★★1/2

Directed by: Tim Miller

Written by: Rhett Reese; Paul Wernick

Based on Deadpool by Fabian Nicieza and Rob Liefeld

Starring: Ryan Reynolds, Morena Baccarin, Ed Skrein, T. J Miller, Gina Carano, Brianna Hildebrand, Stefan Kapičić

With the writers being the real heroes, crutch shots, butt shots and all manner of side remarks, including the mention of Wolverine’s balls from Down Under – yes, I didn’t mind this self-deprecating humour of Deadpool.

First appearing in the Marvel Comic, ‘The New Mutants (#98)’, the history of Deadpool and the X-Men is quickly glossed over in the film, with Deadpool himself mentioning the producer only forking out for two X-Men characters. See here for an article regarding Deadpool’s origins…

The story-line of Deadpool, the movie, is based on Wade (Ryan Reynolds) becoming Deadpool, and his revenge in being made into a monster, and a very unattractive one at that.

Rather than living the torturous life of a human mutant slave, Deadpool gets his kill-count up in search for Ajax, AKA Francis (Ed Skrein, yep, the actor who played Daario Naharis in Game of Thrones), who took him away from his lady love, Vanessa (Morena Baccarin). Well, he kinda took himself away but didn’t realise what he was getting himself into.

Don’t expect a PG-type comic movie here. I was a bit surprised by the violence. But the fast-paced action and many bullets to the head, cutting off of hands, broken ankles and general blood spatter helped balance the constant commentary from Deadpool. A little too much, for my taste and as stated by Ajax, certainly ‘a talker’.

A lot of the film was very funny and in addition to creative camera work (Ken Seng as cinematographer), and attention to detail by director, Tim Miller, there’s another dimension to the story: the writers using meta fiction where the character is aware that he’s, well, in a story.

Deadpool talks to the camera and therefore the audience – breaking the ‘Fourth Wall’. And this gives the film an extra layer and point of difference, allowing a different style of humour into the film.

There was a lot going on and I admit that I missed some of the quips. People have said they’ve gone to watch Deadpool a second time and have picked up more of the jokes. Not that I’d go and watch a second time. As I said, this Deadpool guy talks A LOT.

I have to say, yes it was funny and yes I was entertained, but I would have liked a little more darkness from Deadpool, rather than always the ever flippant. Perhaps I’m showing my age, but the original comic character had more depth and I would have liked to have seen a bit more of this darkness translated to the screen. 

 

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