Tag: Pedro Pascal

Rated: M

Directed by: Patty Jenkins

Written by: Patty Jenkins, Geoff Johns, David Callaham

Produced by: Charles Roven, Deborah Snyder, Zack Snyder, Patty Jenkins, Gal Gadot, Stephen Jones

​Starring: Gal Gadot, Kristen Wiig, Pedro Pascal, Chris Pine.

For the first time in, it seems like in forever, I settle into my seat as the lights go down and the big, booming bass comes up. All at once, I’m gathered up and soaring over wild and rocky island where a tournament that barely conforms to the laws of physics is taking place between a cohort of Amazons. Their aerial feats heap peril upon danger and I’m immediately swept into a world of strength and precision where it is possible to move over land, air and sea in unimagined and gravity-defying ways.

Unlike other super heroes, Diana of Themyscira (Gal Gadot) is not a fully-formed super being; she makes mistakes and must earn her powers. Amid the pyrotechnics of the genre it’s a subtle distinction, but it underwrites and in some ways allows this movie to nudge the genre’s boundaries.

After a rigorous preparation in physical combat and a painful introduction to ethics, Wonder Woman’s training continues, even while she is out in the world and on the job. When an out of control car careens out of nowhere, Diana instinctively kicks it to the kerb and is at once assailed by doubt. Has her action been seen by the bystanders around her? A momentary impulse may well have blown her cover as a mild mannered specialist in antiquities at the Smithsonian museum.

Not only does Diana buck the genre as a hero who is still learning her craft, the villain (Pedro Pascal) is a man who more than anything wants to live up to an heroic ideal of himself. Instead of a frustratingly invincible villain, this one, grinning snake oil salesman though he may be, is merely a man with a seriously misguided sense of what it is to be a good parent. Together with a highly unusual premise that to embrace the truth you must be prepared to let go of even your dearest wishes and dreams, this combination allows the story to delve into some of the existential dilemmas we must all reconcile. And, despite being set in 1984, in that decade of power dressing, big shoulders and extremely unfortunate leisure wear, the storyline and the question it asks are very much at one with the times in this era of fake news.

But this is a comic come to life and Wonder Woman 1984 is very much a high flying adventure. The towering atrium of a multi-story shopping centre almost doubles as a private gymnasium for Diana when a feckless trio of crooks attempt to rob a jewellery store and grab a child hostage on their way out. But, this time, Diana does remember to take out the security cameras before sheleaps over the handrail.

While some viewers might wish for a deeper emotional frisson between Diana and her long lost love (Chris Pine), for those of us who’ve let their inner child loose this is an unmissable opportunity to upend armoured vehicles travelling in convoy on a lonely stretch of desert highway, lasso bullets and hitch a ride on a commercial flight at the end of a golden rope.