Nat’s Top 10 Movies for 2022

Another strange one for me this year.  I haven’t been able to live in my home for the past three months, having to for-go screener reviews.  My troubles are small, I know. Top 10 Movies for 2022 And I hope that each and everyone is looking after themselves and keeping safe.  The escapism of being emersed in the world of cinema has and will always be a sanctuary with some true gems this year, lifting and provoking thoughts about all the important stuff.  There is more to life than the ongoing leak into my ceiling!

So, my Top 10 for 2022 it’s all about the layers of living this life – the depths of what’s hidden underneath, the most satisfying viewing when a story surprises, when the film comes full circle to, understand the question and the corresponding answer from the characters.  This year, it was about understanding the why of the characters.  That’s what kept me coming back, to fascinate, starting with:

10. Men ★★★★

Controversial, divisive, ambitious and thought-provoking in a beautiful setting that spoke of poetry; a backdrop to the journey of understanding, ‘men.’

9. Official Competition ★★★★

An unexpected journey that’s witty and enlightening.  A satire with a criminal heart.

8. The Black Phone ★★★★

The pacing of this adaptation of Joe Hill’s short fiction piece led the way to a mysterious piecing of a dark puzzle that had me cheering for this supernatural thriller.

Special mention here of, Smile that I watched but didn’t review – was my best current release for Halloween viewing.

7. The Innocents ★★★★

A unique and poetic film about children who gain supernatural powers.

6. Three Thousand Years of Longing ★★★★

Beautiful on screen and thought-provoking – a classic tale that made the romance between a Djinn and human, relatable.

5. The Fabelmans ★★★★☆ 4.2

I kinda fell in love with The Fabelmans because there was something genuine in the feeling, the characters rounded-out without slapping the face with it.

4. Fantastic Beasts: The Secrets of Dumbledore ★★★★1/2

There’s a perfect play of darkness and light as the story starts digging deeper: it’s funny, sometimes confronting, it’s explosive, dramatic and heart-warming.

I’m looking forward to seeing what comes next.

3. Fire Of Love ★★★★1/2

A fascinating documentary that’s both exciting and poetic, romantic and philosophical.

An experience that I enjoyed from the start to its poignant ending.

2. Everything Everywhere All At Once ★★★★1/2

Added to the Kung Fu fighting and humour there’s also a good foundation to the family drama so I had a good giggle, got a little teary, and was pleasantly surprised by edgy concepts held together with the use of chapters to give the movie structure.

If you’re reading this review, you’re more than likely going to go watch it and I highly recommend it: go watch it.

1. The Forgiven ★★★★1/2

Based on the novel written by Lawrence Osborne, the complicated idea of this abrasive Englishman willing to leave with the nomadic father of the boy he has just killed is the beginning of the unpacking of his complicated nature.

I’m a huge fan of John Michael McDonagh’s previous films, greatly enjoyed and included in my, ‘If you haven’t watched, you’re in for a treat,’ list: ‘The Guard (2011) and Calvary (2014) and like these previous films, The Forgiven is a quality film that will stay with you.

Official Competition

Rated: MOfficial Competition

Directed by: Gastón Duprat & Mariano Cohn

Written by: Andrés Duprat, Gastón Duprat & Mariano Cohn

Starring: Penélope Cruz, Antonio Banderas & Oscar Martínez.

Viewed in Spanish with English subtitles.

‘What a wanker.’

It’s Humberto’s (José Luis Gómez) 80th birthday.  His life summed up in the presents laid out before him: a massage chair, a Virgin Mary under a glass dome, a rifle set in its casing.  A painting of a sad clown.

He’s a millionaire who feels like he has money but no prestige.

He wants to be remembered, differently.

He decides he wants to build a bridge.  Or a movie.  Yes, fund a movie.  A good one.  Only the best.

Enter award winning director, Lola Cuevas (Penélope Cruz).

Humberto buys the rights of a Nobel Prize winning novel to base this, only-the-best movie on, and having failed to read it, he asks Lola what it’s about.

She explains its about a rivalry between two brothers.  She has the two actors in mind to build on that rivalry for the film:

Iván Torres (Oscar Martínez): a teacher, an academic, an actor of integrity and respect.

And, Félix Rivero (Antonio Banderas): popular, multi-award winning and arriving at rehearsal in a Lamborghini pashing his latest.

Let the butting of egos begin.

Official Competition is a movie about making a movie, most of the set in an expansive, minimalist house as Lola pulls the actors into the minds of their characters.

Kinda sounds boring, but it’s brilliant watching the techniques used to get the ego’s of these two actors into a place so Lola gets the tone she needs for each scene.

‘I want the truth,’ she demands.

Have to say, Penélope Cruz as Lola looks amazing as the sensitive, brilliant and dedicated director, Lola.  She is the wild, red curly-haired, sensitive and very aware puppeteer.

The film is about how very different these two actors she’s chosen to play the parts as brothers, are; to then realise, they’re as vain as each other.

Iván at one point is seen to be accepting a pretend Academy Award in the mirror, after denying he’d ever lower himself to the popularist farce, and of course not speaking anything but Spanish, to announce in his pretend speech that he was only attending the ceremony to formally reject the award.

Meanwhile, Lola looks incredulously at an online video of Félix making a plea to save the pink dolphin.

I just kept bursting out laughing.

It’s hilarious, all set to Lola’s tricks, using big screens in the background of monologues, rocks suspended over their heads during rehearsal, the sound of kissing while surrounded by microphones, a meat grinder used to signify transition but also showing the edge of Lola’s destruction.

Even Iván’s wife, Violeta (Pilar Castro) an academic hipster who’s written a children’s book is shown as vain as Iván shares a new piece of discordant music where she comments on the brilliance of the tribal drumming.  But no, that’s just next door banging on the wall, again.

This is one of those quietly clever films that seems like it’s not about much but then gives you a tickle when the cleverness of a layer reveals itself.

The whole film’s about ego so in the end the film finishes with a forced clever ending with an ego all of its own.

Great acting, unique and clever story and a good laugh.

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