The Spy Who Dumped Me

 

Rated: MA 15+The Spy Who Dumped Me

Directed by: Susanna Fogel

Written by: Susanna Fogel, David Iserson

Produced by: Brian Grazer, Erica Huggins, Guy Riedel

Starring: Kate McKinnon, Mila Kunis, Gillian Anderson, Justin Theroux, Sam Heughan, Hasan Minhaj.

 

Who do you trust when the person you thought you could trust, tells you to trust no-one? Not even the bartender who just served you a few hours ago or the naked man your best friend has brought home so she can teach him to, ‘use his passive aggressive masculinity for good rather than evil’.

The film opens in Vilnius, Lithuania with Audrey’s (Mila Kunis) boyfriend Drew (Justin Theroux) in a local market assembling a makeshift weapon with his woollen scarf and some eight balls, before he fights his way out, leaps from a tall building and speeds away on a conveniently located scooter. Audrey thinks he works in publicity, producing some kind of jazz and economics podcast that nobody listens to.

Back in Los Angeles it’s Audrey’s birthday and her uninhibited, attention-seeking best friend, Morgan (Kate McKinnon), is trying to cheer her up after Drew dumped her by text message. Not that dumping her was Drew’s real agenda.

From the moment Audrey takes over Drew’s mission to deliver his gold statuette to Verne in Vienna, she and Morgan find themselves on the run with nothing but their passports and the clothes they are wearing in a crazy chase across Europe with spies, assassins and double agents at every turn.

The Spy Who Dumped Me

The action is over the top and overwhelming, the script is dazzling, not a plot hole in sight, and the sound design ranges across the full palette from explosions and the ping of high-calibre bullets to the Czech version of Nancy Sinatra’s ‘These Boots are Made for Walkin’’, but the heart of the movie is the friendship between Morgan and Audrey. The innate trust they share is in complete contrast to the illusions and fabrications perpetrated by the spies all around them. Even the cheese fondue turns deadly when the spies in the ‘fancy café’ reveal themselves.

Despite lacking most of the basic qualifications required for a career in the international spying trade, Audrey is a terrible liar (she puts way too much detail into her stories) and Morgan cannot keep a secret from her mum (not even dick pics), the pair of accidental spies discover that they do have one of the skills that every spy must have; they have a natural talent for improvisation. A series of speed humps provide an effective way to remove that unwanted motorcycle assassin from the roof of their Uber and a craftily coordinated hugging style of mugging allows them to to lift the passports from two unsporting Australian backpackers when they won’t hand them over voluntarily.

But it is not until Drew’s counterpart in MI6 escorts the pair to headquarters that things begin to turn around. Against her best intentions, Audrey might be beginning to forgive the gorgeous secret agent (Sam Heughan) who introduced himself by kidnapping her. While Morgan is awe-struck from the moment she realises that she is in the presence of the Judy Dench of British Intelligence (Gillian Anderson), an austerely beautiful woman with the perfect sneer, who doesn’t need to sacrifice her femininity when she orders some of the most violent operatives in the world to do exactly as she tells them.

If your thing is wild action comedies where two unlikely women have it over them all, then you won’t want to miss them in the most impressive Scandinavian flick turn I have ever seen.

Bad Moms 2

Bad Moms 2Bad Moms 2 – aka A Bad Moms Christmas

Rated: MA 15+

Directors: Jon Lucas, Scott Moore

Writers: Jon Lucas, Scott Moore

Producers: Bill Block, Mark Kamine, Suzanne Todd

Stars: Kristen Bell, Mila Kunis, Kathryn Hahn, Susan Sarandon, Christine Baranski, Cheryl Hines, Wanda Sykes, Peter Gallagher.

Is any situation funny just because people are drinking so much they steal, assault and create mayhem? If it is, it has to be well written with characters we have become fond of, which this film was not.

With an opening scene showing wholesale tinsel and bauble carnage (reminiscent of the start of The Hangover which was also written by this film’s writers/directors), we meet one of the “Bad Moms”, Mila Kunis as Amy, looking beautifully coiffed and made up no matter the time of day or night, who confesses to having “ruined Christmas”.Bad Moms 2

The theme of this movie – conflict between mothers and daughters – appears to be best summed up by Amy’s mother Ruth (Christine Baranski) who says loftily, “You’re a mom. Moms don’t enjoy, they give joy,” (although joy is not an emotion you would normally associate with her). Amy’s response, after a series of passive-aggressive encounters that escalate to overt rebellion, is to declare to her two fellow moms, “Christmas is supposed to be fun. Let’s take Christmas back!”

Showing little originality or creativity, the movie revisits the days leading up to what caused Amy’s apparent destruction of Christmas, with scant attempt to provide background for those viewers who may not have seen the first Bad Moms movie. For example, it isn’t initially clear what her relationship is with the hottie Jessie (Jay Hernandez). I thought he was her husband until someone mentions this will be the first Christmas for the children without their father, implying he’s dead. It isn’t until later we learn Amy has in fact divorced her husband, but not why, obviously because we should already know.

The other “Bad Moms” are also re/introduced: sweet yet repressed Kiki (Kristen Bell), married with three or maybe four kids, with an overly possessive mother (Cheryl Hines) who isn’t coping well following the death of her husband and who sees her daughter as a replacement companion.Bad Moms 2

By far the crudest yet most convincing of the three is Carla (Kathryn Hahn), a single mother of more mature years with a teenage son and a largely absent rocker mother, Isis (Susan Sarandon) who only turns up once every few years when she needs to borrow money. Strangely I most enjoyed the scenes with Carla at her day spa job. Her waxing of a visiting fireman/stripper (the incredibly buff and toned Justin Hartley) produced the most laughs, mainly because of its silly yet sweet spin on two people meeting and falling for each other in ridiculous circumstances. Kiki’s visit to the psychologist Dr Karl (Wanda Sykes) also stood out as one of the better crafted comic scenes.

Most of the movie is devoted to a series of expletive-laden shouting matches between the various mothers and daughters that rely on swearing instead of wit, interspersed with slow-motion montages showing the three Bad Moms getting drunk, abusive and stealing other people’s property because hey, that’s fun, isn’t it? Then the pace gets slower and the mood more serious as the various characters implode, explode, break down, wallow in regret before they reflect and reunite in a typically Americanised sentimental way.

While the preview audience was well lubricated with strong cocktails so were probably in the mood to be easily pleased, watching this film sober meant the crudity and charm-free sit-com direction were undiluted and much harder to swallow. Having to celebrate Christmas with these people would be a punishment.

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Bad Moms

GoMovieReviews Rating: ★★☆ (2.8)

MA15+Bad Moms

Directors: Jon Lucas; Scott Moore

Writers: Jon Lucas; Scott Moore

Starring: Mila Kunis, Kathryn Haln, Kristen Bell, Christina Applegate, Jada Pinkett Smith, Annie Mumolo, Oona Laurence, Emjay Anthony, David Walton, Clark Duke; Jay Hernandez.

I just had a Bad Mom moment.  Leaving my notebook in the cinema.  And not realising until I started drinking a glass of red wine and then fluffing in my handbag, looking for it.  That’s about the extent I related to Bad Moms.  The sense of panic.  The humiliation if someone had started reading my scribbly notes.  Like someone else finding your child and having to pick them up from a stranger…  Jeez, it’s like pulling teeth.

If you’re not a mother, relating to Bad Moms is difficult.

Ami (Mila Kunis) is trapped in a world of kids, work, looking after her infantile husband, PTA meetings and everything that life can throw at you.  When she finally gets knocked unconscious at her kid’s soccer match, to then be late (again) to the PTA meeting, and then be volunteered by everything-must-be-perfect super mom, Gwendolyn (Christina Applegate), to be the ingredients police at the upcoming bake sale, it’s enough.

Ami decides she’s sick of trying to be the perfect mom.

Now, along with fellow mothers, Carla (Kathryn Haln) and Kiki (Kristen Bell), she decides it’s time to be… A Bad Mom.

Thank goodness for the comic relief of Kiki and her cheeky, loud-mouth antics.  It wasn’t that the acting was bad, there just wasn’t enough comic relief.

I had an expectation of many laugh-out-loud moments, and there were a few, but coming from Jon Lucas and Scott Moore as the writers and directors (the guys who co-wrote The Hangover I and Wedding Crashers) I expected there to be wider appeal.

I hear stories from my sisters and I can see how much pressure parents are under these days.  Women have to work and keep: home, family, kids and society in general happy.  Our mothers have worked hard for equal rights and now there’s this need to be able to do it all.  Perfectly.  I get that.  And Bad Moms is a surprisingly insightful film.

Watching the girls getting into it because they’re sick of having to be perfect was a lot of fun. But to me?  These girls needed sleep.  For a week.  So unlike The Hangover and The Wedding Crashers, I found this movie painful, and not in a funny way.

I can see a group of mums going to Bad Moms, to escape the house and kids for a couple of hours with glass of wine in hand and the relief that they’re not the only ones feeling the pressure of motherhood.  And I congratulate Bad Moms on shining a spotlight on what a modern-day mother has to go through.  But as a film, Bad Moms is made for a select audience.

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