The Suicide Squad

Rated: MA15+The Suicide Squad

Directed and Written by: James Gunn

Produced by: Charles Roven, Peter Safran

Starring: Margot Robbie, Idris Elba, Joel Kinnaman, John Cena, Viola Davis, Jai Courtney, Michael Rooker, Flula Borg, David Dastmalchian and Taika Waititi.

‘Is that rat waving at me?’

The opening scene sees the death of a pretty yellow bird.

Birds feature a lot in, The Suicide Squad mark II.

To the extent I was wondering by the end – what’s with the birds?!  Is it because they represent freedom?  Could be something in that, the squad been given a chance at freedom, etc.

Like the first film, potential members of Task Force X are found languishing in Belle Reve: the prison with the highest mortality rate in America.

Languishing until Amanda Waller (Viola Davis) offers them a deal they can’t refuse: 10 years off their sentence in hell.  Or for those not tempted by the reduced sentence, the promise not to incarcerate a ten-year-old daughter (Storm Reid) that would more than likely mean death.

Sent on another impossible bloody mission, this time to the jungle of Corto Maltese, there’s the same antics from characters such as Captain Boomerang (Michael Rooker) with a whole new cast of villains with unique skills like: Peacemaker (John Cena) who loves to walk around in his y-fronts, Bloodsport (Idris Elba) who really does not get along with Peacemaker, King Shark (Sylvester Stallone)  – apparently a god who now has a taste for human and amongst other new characters, Polka-Dot (David Dastmalchian): the man has issues.  With leader Colonel Rick Flag (Joel Kinnaman) back to direct the chaos.

The film has the same foundation as the first instalment, a squad of anti-heroes sent on a covert mission by the government – but way more extreme.

There’s still that manic fun tone, with the likes of Harley Quinn (Margot Robbie) shooting her way to freedom with a demented smile, but I don’t remember the first instalment being so brutal.

Not that nasty is necessarily a bad thing.

I’m a big fan of gallows humour, and there were a lot of funny moments that tickled, sometimes unexpectedly like seeing the back view of Milton (Julio Cesar Ruiz), the bus driver, as he runs after the squad to ‘help out’ in his shorts and Crocs.

And making light of a trained rat, friend of Ratcatcher 2 (Daniela Melchior), 2 because the first Ratcatcher was her father (Taika Waititi, yep Taika’s in it!):

‘Is that rat waving at me?

‘It appears it is’

…’Why?’

But sometimes the humour was just that bit too off-kilter – see above about the birds.

It was about 50/50 for me.  But when the humour hit, it tickled A LOT.

The narrative goes back and forth in time, highlighted by the inclusion of text in scene – leaves falling to write, ‘Now’.

There’s more clever with relief from the blood and guts when blood’s replaced with an explosion of flowers.

And that blending of scene continues with music played in the bus becoming the soundtrack, the, Pixies track, ‘Hey’ backing the squad as they walk into their next suicide mission.  Gold.

The attention to detail is impressive as director James Gunn pushes the boundaries so the humour’s darker, the violence more bloody, with an added extra tilt towards the demented.

Tending towards horror and comedy rather than action, there’s a lot of entertainment here but brace yourself, it gets twisted.

Guardians Of The Galaxy Vol. 2

Rated: MGuardians Of The Galaxy Vol. 2

Director: James Gunn

Producer: Kevin Feige

Executive Producers: Victoria Alonso and Louis D’Esposito

Written by: James Gunn

Based on: Guardians of the Galaxy by Dan Abnett and Andy Lanning

Starring: Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Michael Rooker, Karen Gillan, Elizabeth Debicki

If you enjoyed the original Guardians of the Galaxy (2014), the chances are you will also enjoy this joyful follow-up, imaginatively titled ‘Vol. 2’. A fast paced, playfully psychedelic scene early on re-introduces the five main characters from the first film in what appears to be an entertaining yet largely irrelevant action sequence that serves no real purpose other than to dazzle.

This sequence does end up having some plot relevance later, but more than that, it helps re-familiarise viewers with the main characters or introduce them to those people who might not have seen the previous outing. Peter ‘Star-Lord’ Quill (Chris Pratt), part human/part something else and his gang of frenemies have lent themselves out for hire as mercenaries in the months since the events of the previous film ended.

Peter’s encounter with someone claiming to be his father helps drive the central storyline but there are plenty of sub-plots to keep the action zinging along.

Twiglet Groot has grown into an adorable toddler version (huge merchandising opportunities abound!) who loves music. The cuteness quotient threatens to overtake the film’s edgier moments but luckily, baby Groot hasn’t lost its ruthless killer instinct which helps balance things out.

Where the first film focussed on introducing the characters of this offshoot of the Marvel Cinematic Universe and how they came to be a kind of connected group, the second film takes time to explore themes of family, growing up, belonging and searching for something that sometimes turns out to be much closer than originally thought. Family dynamics, parent-child and sibling relationships are all explored or experienced by the main characters, and there is more ‘quiet’ time for revealing most of their histories, which helps explain a lot of their behaviour or motivations.

Drax the Destroyer (Dave Bautista) still gets most of the best lines, delivered in his deadpan way, where his honest desire to be helpful often comes across as hurtful. Rocket (voiced with gravelly menace by Bradley Cooper) demonstrates his deadly fighting skills while confronting his own ghosts, assisted by blue Ravager Yondu Udonto (Michael Rooker) whose lethal arrow causes entertaining carnage and mayhem in one memorable sequence.

As with the first movie, music is important in establishing mood. Whether it’s ELO’s ‘Mr Blue Sky’ in an early, super-playful scene, or travelling with the Guardians to a paradise accompanied by George Harrison’s classic, ‘My Sweet Lord’, or getting reflective with Cat Stevens’ ‘Father and Son’, the choice of songs overall work incredibly well.

The costumes range from gorgeous, especially those of the Sovereign Queen (Elizabeth Debnicki) and her people, to highly unusual, and many of the sets, planets and ship interiors are so incredibly imaginative and beautifully realised that it’s like being inside an enormous kaleidoscopic theme park ride.

The novelty factor of the first film is obviously no longer there, but the situations, humour, character development and multiple plots of this second outing coalesce by the end into a joyful explosion of colour, movement and resolution (of sorts). Under no circumstances should you leave before the very last credit has finished because there are some additional scenes that hint at the promise of continuing adventures. Bring them on!

Subscribe to GoMovieReviews
Enter your email address for notification of new reviews - it's free!

 

Subscribe!