The Wild Robot

GoMovieReviews Rating: ★★★★☆ (4.2/5)The Wild Robot

Rated: PG

Written and Directed by: Chris Sanders

Based on: ‘The Wild Robot’ Novel by Peter Brown

Produced by: Jeff Hermann

Starring: Lupita Nyong’o, Pedro Pascal, Catherine O’Hara, Bill Nighy, Kit Connor and Stephanie Hsu, with Mark Hamill, Matt Berry and Ving Rhames.

‘Funny how life works.’

Opening on a dark and stormy beach, otters sniffing the sand discover a crashed robot.

Meet, ready-to-receive-my-first-task ROZZUM unit 7134 (Lupita Nyong’o).

A ROZZUM AKA Roz always completes its task, just ask.

The Wild Robot analyses life through the lens of a robot’s eyes that has all sorts of fun and weird and wonderful moments including physical mimicry of Roz running around trying to find instruction from a bunch of wild beasts that are terrified of it.

Eventually, Roz the robot saves a goose egg from a conniving fox named Fink (Pedro Pascal).  And watching the egg hatch, as nature instructs, the gosling imprints on the robot.

Roz, now has a task (along with the help of Fink): to raise a gosling, later named Brightbill (Kit Connor), so he’s ready to migrate before winter sets in.

There’s so much to love about this movie, the critters all adorable, not one character out of place.

There’s the family of possums where all the young possums are taught to play dead (well, possum), each explaining the type of death therefore undoing the subterfuge because, ‘dead things don’t have to explain they’re dead.’

When I saw the premise of the film I thought it was a strange idea having a robot in the forest and at best would be cheesy, but the story leans into the pre-programmed robot that can’t feel anything contrasted with the wildlife that are in constant fear of being eaten.

The film doesn’t shy away from the reality of nature, instinct a different type of programming designed to keep animals fed or to flee to stay alive.

Afterall, ‘Death’s proximity makes life burn all the more brighter.’

Then there’s Brightbill that adopts Roz as his mother, snuggling up to the unfeeling metal, that brightens pink lights as a mechanical response to love.

It’s sweet seeing this robot become an unlikely mother with all the difficulty that goes with the ‘crushing obligation.’

There’s a real, flying the nest storyline that plucks the heartstrings but then there’s so much more to the story as Roz shows the forest creatures that kindness is a survival skill.

And that overriding programming can ultimately lead to a better survival.

This is a genuinely funny and heartwarming film that’s good fun for all ages.

 

Child’s Play

Rated: MA15+Child's Play

Directed by: Lars Klevberg

Screenplay by: Tyler Burton Smith

Produced by: Seth Grahame-Smith and David Katzenberg

Executive Producer: Chris Ferguson

Starring: Gabriel Bateman, Aubrey Plaza, Brian Tyree Henry and Mark Hamill as the voice of Chucky.

‘Are we having fun yet?’

‘I guess.’

‘Yay!’

Child’s Play (1988) is a classic horror movie I remember watching when I was about twelve-years old.

I remember it was about a doll and it was scary; and I remember cringing and trying to get to sleep after seeing feet hanging out the end of a bed getting sliced by a knife.

So, I knew I was waking into a movie about a killer doll. But was somehow surprised by the horror, meaty horror at that, where the writing and the performance of single mom Karen (Aubrey Plaza) and son Andy (Gabriel Bateman) suspended reality enough to get a decent scare going when this life-like Buddi doll, doesn’t get possessed or start off being evil, but becomes a serial killer by mimicking what people do; by doing what he thinks his best buddy Andy wants him to do.

Afterall, he is a Buddi doll.

Chucky would do anything for his best mate.  Including ripping the skin off faces, hanging people, stabbing and setting up angle grinders to saw pesky people in half.

Child’s Play re-imagined manages to give a classic horror, but somewhat hard to swallow concept, a believable hook.

Here, we have ‘Chucky 2.0’ based on the technology of today – where electronics are interconnected, wireless and activated by voice command.

So all we have to believe is that Chucky is an animated doll capable of responding to commands like Siri or Alexa.

Sure there were contrived moments like a person with broken legs, bones broken through skin, still able to crawl rather than writhing in agony; and rope around a neck suddenly loosened when a body falls to the ground.  But it still kind of hung together.

And that had a lot to do with the tone of the film, director Lars Klevberg balancing the gore and horror with some dark humour that really hit the mark, like the question of why is there fruit involved?!

Just think watermelons being a similar shape to a decapitated head.

Yep, Child’s Play is gory and funny with Mark Hamill voicing the evil doll that is Chucky, surprisingly effective on so many levels – childhood, Star Wars, evil doll.  Why not?  If the voice fits.

There’s enough essence of Chucky-the-original to keep fans happy, while the fresh take lifts the original concept somewhere the audience can laugh with and not at – a close call for me at the beginning of the film, saved by the wry performance of Aubrey Plaza and the likable Brian Tyree Henry as Detective Mike who lives down the hall.

Star Wars: The Last Jedi

Rated: MStar Wars: The Last Jedi

Directed by: Rian Johnson

Written by: Rian Johnson

Based on Characters Created by: George Lucas

Music by: John Williams

Cinematography by: Steve Yedlin

Starring: Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Andy Serkis, Lupita Nyong’o, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, Kelly Marie Tran, Laura Dern, Benicio Del Toro, Frank Oz, Billie Laurd, Joonas Suotamo, Amanda Lawrence, Jimmy Vee, Brian Herring and Dave Chapman.  

A long time ago, in a galaxy far, far away, there was the best episode of Star Wars made to date…

Star Wars: The Last Jedi (Episode VIII) is epic people!

This film has everything: fantasy, drama and conflict and betrayal and action with lightsaber fights that last just long enough…

And I was surprisingly emotional through-out the film with General (Princess) Leia Organa (Carrie Fisher) filmed and thankfully not animated so she looked so real and so there.

It was such a pleasure to see Carrie Fisher up on the big screen for the final time… See what I mean about emotional?!Star Wars: The Last Jedi

Director and writer, Rian Johnson has spent a lot of time getting the detail of the story right.  There’s new characters mixed with old that keep the story interesting with the familiar and the excitement of seeing new critters adding to the lightness and wonder of this visual story.

Rian Johnson also wrote and directed, Looper (2012) and has brought that same attention to the script here, revealing layer upon layer of story to take the audience on a journey totally unexpected.

And I liked how the film was set both in space and on land – the effects of space fantastic on the big screen and the grounding of seeing the ocean crash into rocks and the salty sand of the desert kicking up red dust visually surprising.Star Wars: The Last Jedi

The island where the previous episode, The Force Awakens, leaves us with Luke Skywalker (Mark Hamill) is expanded upon, the thought put into the vastness of the landscape impressive with new sea creatures and those cute Porgs (that look like a cross between a penguin and a puffin) alongside old favourites like Chewbacca.

This episode sees the story unfold around the never ceasing Resistance as they fight The First Order led by Supreme Leader, Snoke (Andy Serkis) as he takes hold of the universe.  The final threads of the Resistance making that final last stand with Rey (Daisy Ridley) seeking the return of the equally resistant Luke Skywalker hiding on his island after losing all faith when his student and best friend and sister’s son, Kylo Ren (Adam Driver) turns to the Dark Side.Star Wars: The Last Jedi

Adam Driver has really grown into his role as Kylo Ren (the highlight for me) – the film taking time to explore this new character, making him as deep and fascinating as Darth Vader.

But like life, there’s dark and there’s light.  There’s good and bad in everyone – the conflict of the Force in Luke and Rey and Kylo adding to an otherwise action and suspenseful film.

And, for me, the most suspenseful Star Wars so far.

The Last Jedi is a further exploration into the Dark Side giving this episode a sharper edge and depth – the fantasy element making the story more griping and thought-provoking than the usual Sci-Fi weight of the previous instalments.

And the timing of the story was perfect.  The twists in the tale, many.

Prepare for an epic experience: it’s a long one (2h 33m) but well worth the journey.

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