Fantastic Beasts: The Secrets of Dumbledore

Rated: MFantastic Beasts: The Secrets of Dumbledore

Directed by: David Yates

Screenplay Written by: J. K. Rowling & Steve Kloves

Based on the Screenplay by: J. K. Rowling

Produced by: David Heyman, J. K. Rowling, Steve Kloves, Lionel Wigram and Tim Lewis

Executive Producers: Neil Blair, Danny Cohen, Josh Berger, Courtenay Valenti and Michael Sharp

Starring: Eddie Redmaye, Jude Law, Ezra Miller, Dan Fogler, Alison Sudol, Callum Turner, Jessica Williams, Katherine Waterston and Mads Mikkelsen.

‘No one can know everything.’

A quietly rocking train.  Professor Albus Dumbledore (Jude Law) sighs.

Gellert Grindelwald (Mads Mikkelsen) comments, ‘They like to chatter, the muggle friends.’

Grindelwald thinks of muggles as animals.

‘But they do make a good cup of tea.’

Dumbledore and Grindelwald were going to take over the world when they were young.  They made a blood pact, a powerful spell meaning they could not harm the other.

Now that Grindelwald wants to destroy the muggle world and take control of the wizarding world, it’s a pact Dumbledore regrets.

The Secrets of Dumbledore continues on from the previous instalment of Magic Beasts.  And for me, this is the best one yet.

I was absolutely delighted, there’s no other way to describe the feeling of seeing Newt Scamander (Eddie Redmayne) along with the Pickett, the Bowtruckle and Teddy the Niffler.

Newt describes Teddy as frankly a nightmare but what would he do without him?  Remembering Teddy’s also the critter who managed to steal back the pendant holding the blood of Dumbledore and Grindelwald – he’s a very clever Niffler still obsessed with gold and still hilarious.

Queenie (Alison Sudol) still resides with Grindelwald as does the darkly disturbed Obscurial, Credence (Ezra Miller) – the only wizard powerful enough to attempt to kill Dumbledore and used by Grindelwald because the pact dictates he cannot kill Dumbledore himself.

A wanted criminal, Grindelwald wants to be free. He wants to take over the world.

To fight back, Dumbledore calls upon: Newt along with Newt’s brother, Theseus (Callum Turner), Head of the British Auror Service; Newt’s assistant, Bunty (Victoria Yeates), ‘No one can know everything.  Not even you,’ she tells Newt.

Muggle baker Jacob (Dan Fogler) is called back, even though he’s heartbroken and doesn’t want to, he can’t resist saving a dame in distress; introducing, Eulalie Hicks (Jessica Williams): ‘Well, you do know I’m a witch, right?’

And finally, there’s Yusuf Kama (William Nadylam) of an old wizardly bloodline quietly adding his graceful loyalty while he morns for his half-sister, Leta.

They all look at one another, so this is who’s going to save the world?

There’s a different tone to his instalment, less of that 1920s feel and more dungeons and deep dark forests, temples on clifftops and snow falling from the sky as Credence uses the Obscurian to tear the streets apart.

Newt with his fantastic beasts adds lighthearted moments, his crablike dance to pacify, well, killer crabs had the entire audience in the cinema giggling.

Again, the beasts were a strong feature in the film, and what I also really enjoy in, Fantastic Beasts is the use of objects – the pendant holding the blood pact, the snake wand, Newt’s case holding the magic beasts.  The attention to detail is thoroughly absorbing.  Every detail balanced, the storyline, well-paced.

There’s a perfect play of darkness and light in, The Secrets of Dumbledore as the story starts digging deeper: it’s funny, sometimes confronting, it’s explosive, dramatic and heart-warming.

I’m looking forward to seeing what comes next.

Fantastic Beasts: The Crimes of Grindelwald

Rated: MFantastic Beasts: The Crimes of Grindelwald

Directed by: David Yates

Screenplay by: J. K. Rowling

Produced by: David Heyman, J. K. Rowling, Steve Kloves and Lionel Wigram

Starring: Eddie Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol, Ezra Miller, Zoë Kravitz, Callum Turner, Claudia Kim, William Nadylam, Kevin Guthrie, Carmen Ejogo, Poppy Corby-Tuech, with Jude Law and Johnny Depp.

The second of five in the Fantastic Beasts series, The Crimes of Grindelwald continues in the days before Harry Potter, back to the 1920s following Magizoologist Newt (Eddie Redmayne) and his beasts (his book now published) and the powerful dark wizard Gellert Grindelwald (Johnny Depp), who was captured in the previous instalment (Fantastic Beasts and Where to Find Them) and is now held by the MACUSA (Magical Congress of the United States of America).

After six months it’s time to bring the dark wizard to court to face his crimes but during the transfer, Grindelwald explodes onto the screen, making his escape.  His mission to gather the pure bloods, to take back their freedom, for wizards to be who they really are, to rule the world and dominate the remaining No-Maj.

Grindelwald explains he doesn’t plan to kill all the No-Maj, ‘The beasts of burden will always be necessary’.

He’s mean but he makes an argument that some wizards find hard to resist.  They don’t want to hide in the shadows any longer.  They want to rule the world.

The running theme through-out the film is, It’s time to pick a side.

Which is difficult for Newt as he states, ‘I don’t pick sides.’

Professor Albus Dumbledore (Jude Law), unable to fight Grindelwald for mysterious reasons revealed in the film, calls upon Newt to find Credence Barebone (Ezra Miller), the Obscurial (a born wizard whose powers were suppressed to the point of becoming an Obscurus, a parasitical force deadly to its host, usually at a very young age) introduced in the first film.

Dumbledore knows Credence is in Paris looking for his birth mother, to find the love he desperately needs and to find his place in the world.  He needs to be found before the silver-tongued charm of Grindelwald captures his power to wield against humanity.

We see the return of Queenie (Alison Sudol) who just wants to love the No-Maj Jacob (Dan Fogler).  Tina (Katherine Waterston) returns to the MACUSA as an Auror after reading the news Newt is engaged to his old flame Leta Lestrange (Zoë Kravitz), a misprint in the gossip pages when she’s in fact engaged to his older brother Theseus (Callum Turner) – awkward!

There’s more development of characters in this instalment with some complicated entanglements as each fight for the cause, or not.

But Dumbledore knows no matter what, Newt will do what is right.

We travel from America to London to Paris, back to Hogwarts, where we see echoes of familiar characters in their younger years.

And now, in this second instalment, we start to solve some mysteries like how the Maledictus named Nagini (Claudia Kim) (now Credence’s companion) becomes the giant snake.

Rowling clarifies, “A Maledictus is someone who carries a blood curse that, over time, turns them into a beast.  They can’t stop it, they can’t turn back.  They will lose themselves…they will become the beast with everything that implies.”

And there are other, ‘Aha’ moments that I admit are starting to draw me in.

Director David Yates and screenplay writer J. K. Rowling have reunited along with the creative team so the tone and look of the film is the same with explosive moments and the amazing effects of cavernous spaces and intricate pieces falling into place and locks turning and statues moving, the bright colours of circus and blue fire to the wonderful beasts including the mischievous Niffler who now has a litter of babies.

Although I adored the critters in the first instalment, I wasn’t as drawn into the story of the film as it was more setting the foundation for the series.

Here, we see more of the mystery revealed.

I’m finding the Fantastic Beasts series more about what comes next, what piece of the puzzle is going to make that character into who they eventually become.  And slowly, I can see the story coming together.

King Arthur: Legend of the Sword

Rated: MA15+King Arthur: Legend of the Sword

Director: Guy Ritchie

Producers: Akiva Goldsman, Tory Tunnell, Joby Harold, Steve Clark-Hall

Screenplay: Jody Harold, Guy Ritchie and Lionel Wigram

Story by: David Dobkin and Jody Harold

Starring: Charlie Hunnam (Arthur), Jude Law (Vortigern), Astrid Berges-Frisbey (The Mage), Djimon Hounsou (Bedivere), Aidan Gillen (Bill), Eric Bana (Uther).

I love a good action film with a healthy dose of fantasy, and King Arthur: Legend of the Sword delivered.

This isn’t a tale about King Arthur and the Round Table, this is more about the magic of Excalibur.

Director, Guy Ritchie has taken a classic story and turned it into something else.  If you can forget all you know about the previous tales of King Arthur and all the romance, gallantry and honour, it’s worth letting go and getting taken for the ride.

King Arthur is one of those big budget films with thought put into the camera work with director of photography, John Mathieson bringing the audience right up close to run along-side the characters.  Add burning towers, giant snakes and elephants as big as football fields, weird water creatures and the magic of The Mage (Astrid Berges-Frisbey): you’ve got an entertaining film.

Jude Law as Vortigern, brother of King Uther (Eric Bana) and uncle to Arthur (Charlie Hunnam), gives a solid performance, legitimising the film by making the villain of the story believable.

No-one can pull a look of disdain like Jude Law.

Not to take away from Hubbard.  There is a consistent air of nonchalance he gives to every role: the laid-back smart arse hiding a sharp mind.  Deviation from this persona brings disaster, think of his role as Dr. Alan McMichael in Crimson Peak.  But he was cast well here, with the action scenes and sword fighting perfect for his physic (not that I’m a perv, well… maybe a bit…).  And the comradery with his mates, growing up in a brothel and learning the hard lessons of life off the street reminiscent of his character in, Sons of Anarchy (of which I’m a fan).

There was certainly the Guy Ritchie-esq feel to the film with fast

exchanges of dialogue and sharp changes in camera work, jumping from past to present to future in seconds.  The technique reminding me of scenes from Snatch (2000).

To get the audience up-to-speed this way can be exhilarating; to catch a train of thought, to run with it to flash to the next part, the exciting part.  But there was some definite glossing over of story that was sometimes OK and sometimes not, leaving me with the thought, That’s just lazy.  And glossing over essential aspects of Arthur’s character weakened the story.

The cracking soundtrack and music by composer Daniel Pemberton helped to lift and smooth each scene; the first thought after the film finished being, ‘Jeez, the soundtrack was good.’

And there were satisfying circles of storyline but the pacing felt patchy
with weight and time given to some scenes where essential timelines were past in fast forward.  And this was the biggest downfall of the film.

So, although the editing and story was not always consistent, the strong performance from Law and the cocky English, Guy Ritchie flavour, kept up the entertainment factor to reach expectation.

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