Cold Pursuit

Rated: MA15+Cold Pursuit

Directed by: Hans Petter Moland

Screenplay by: Frank Baldwin

Based on the Movie, ‘Kraftidioten’ Written by: Kim Fupz Aakeson

Produced by: Michael Shamberg p.g.a, Ameet Shukla p.g.a

Starring: Liam Neeson, Tom Bateman, Tom Jackson, Emmy Rossum, Laura Dern, John Doman, Domenick Lombardozzi, Julia Jones, Gus Halper, Micheál Richardson, Michael Eklund, Bradley Stryker, Wesley Macinnes, Nicholas Holmes, Benjamin Hollingsworth, Michael Adamthwaite, William Forsythe, Elizabeth Thai, David O’Hara, Raoul Trujillo, Nathaniel Arcand, Glen Gould, Mitchell Saddleback, Christopher Logan, Arnold Pinnock and Ben Cotton.

An English remake of the Norwegian film, In Order of Disappearance (Kraftidioten) (2014), we certainly see a lot of people get, disappeared.

Set in the snowy mountains of Kehoe, Nels Coxman (Liam Neeson) has just won the Citizen of the Year award.

He’s a simple, family man.  He plows snow so others can get to where they need to be. In his speech he says he was lucky, he picked a good road early and stayed on it.

Until his son is killed by drug dealers.

Cold Pursuit is a bloody revenge film filled with gangsters with names like: The Eskimo, Speedo and Wingman…  Because, well, it’s a gangster thing.

There’s this quirky dark humour where small-town cop Gip (John Doman) thinks drugs should be legalised – to give the people what they want, tax the shit out of it, so the government can double the cops’ pay.

But more than that, the sheer number of people who get killed (see the number of actors cast above) and how they get killed, is… funny.

There are so many funny moments that mostly hit the mark and sometimes don’t.  Pink phones and rubber ducks didn’t quite make it for me.

But added details like the plush hotel with the white fake fur reception desk getting a buff and brush, tickled.

What I realised as the film progressed was the presence of Liam Neeson as the main character, and the clever way director, Hans Petter Moland, uses Neeson’s gravitas for comic effect.

I really like Neeson in this film: still the hero, still the family man – like we’ve seen so many times before – but all that history he owns in that hero-family-man role is used to add another layer to the film.

A revenge, shoot-em-up movie with elements of gangster turned on its head with a super-food conscious villain (AKA Viking), a Thai ball-breaker wife making a tropical paradise in the middle of snowy mountains, a profile-in-pink drug dealer who also sells wedding dresses and drug dealing Native Americans who adore wearing mustard yellow gloves.

Sure the humour is laid on a bit thick and tried too hard at times, but the balance of action, drama, violence and those gallows-humour, ticklish moments made for a (mostly) great entertainer.

Got to say, Liam Neeson’s still got it.

You Were Never Really Here

Rated: MA15+You Were Never Really Here

Directed by: Lynne Ramsay

Screenplay by: Lynne Ramsay

Based on the book by: Jonathan Ames

Produced by: Rosa Attab, Pascal Caucheteux, James Wilson, Rebecca O’Brien, Lynne Ramsay

Director of Photography: Thomas Townend

Music by: Jonny Greenwood

Starring: Joaquin Phoenix, Judith Roberts, Ekaterina Samsonov, John Doman, Alex Manette, Dante Pereira-Olson, Alessandro Nivola.

Winner of Best Actor & Best Screenplay at Cannes Film Festival, 2017, there’s already a buzz surrounding the release of this film – and, You Were Never Really Here went beyond expectation.

This is a grisly and astounding crime film where director and screen writer, Lynne Ramsay (We Need To Talk About Kevin (2011)) has brought together disjointed elements of different sounds and disjointed time to create something more.

Note the music by Jonny Greenwood AKA lead guitarist and keyboardist of, Radiohead and creator of the soundtrack of, Phantom Thread which I also gave five stars.

Flashbacks and hallucinations show the fragile mind of Joe (Joaquin Phoenix), ex-military, gun-for-hire, as he works jobs as an enforcer – ‘brutally’ if necessary.

With hammer in hand Joe delivers a fatal blow to henchmen who get in his way like he’s striking a blow at the demons who continue to haunt him.  He’s like an avenging angel – a theme built upon through-out the film.

This is a brutally beautiful film based on the book by Jonathan Ames where little girls need to be rescued from very bad men.

When Joe’s asked to meet a senator whose daughter, Nina (Ekaterina Samsonov), has been taken, we see just how brutal Joe can be and how deep the darkness reaches from the men who hide evil behind power.

This is a visceral and gritty crime movie with a magnetising performance from Joaquin Phoenix – I just couldn’t look away from this guy.

There’s something fascinating about Joaquin as he perfectly imbodies this hitman haunted by his past.

I was tempted to draw comparisons with, Léon: The Professional (1994): the older assassin who befriends the young girl.

But You Were Never Really Here is more than the relationship between a bad guy doing good and a troubled young girl who understands – this is more about Joe haunted by his past; about the mother he cares for (Judith Roberts) and a mind lost in memory.

With the dislocation of time, the past and present blur only to be brought back into focus with Joe grounding himself by asking, ‘What the fuck am I doing?’

Images sign-post the story: the dilated pupils of a girl’s blue eyes; the silence of a black and white security camera video; broken glasses, the eye glass with blood-stained jagged edges; the disintegration of a green jelly bean, the fracture of sugar a signal of the darkness to come.

There’s a crime story here but the weight of the film lies in the showing of how Joe sees the world as we look at him as his eyes are reflected in a car window looking back.

Astounding performance, gritty story and visually, brutally poetic.

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