Elliot The Littlest Reindeer

Rated: GElliot The Littlest Reindeer

Directed and Written by:  Jennifer Westcott

Produced by:   Michael Emerson, Victoria Wescott

Starring: Morena Baccarin, Josh Hutcherson, John Cleese.

I must confess I got excited when I read about the stellar voice cast including names such as John Cleese and Martin Short. I love animation and I knew absolutely nothing about Elliot The Littlest Reindeer, walking in with an open mind.

First impression was weak though for he graphics looked like I was home playing PS4 and the awkward character’s tone attempt to wink at humour was soon defeated by a numb storyline. There was one moment I laughed, when the Highland horse with Braveheart-painted face and accent to match appeared on the screen. And that was it.

Barely 30 minutes into the film, something unprecedented happened: half the reviewers watching left the cinema. Imagine that. And I sat there, unable to find a comfortable position not the will to fall asleep for a painful hour and a half. Do you want to know my very honest opinion? Well, I wouldn’t take my worst enemy’s children to endure this waste of time and resources. Still want to know more? Sure, let’s continue.

The protagonist, a miniature horse with illusions of grandeur, is bullied by jerk-reindeers (the film’s words not mine) every time he attempts to train with them. Suddenly, Blitzen decides to retire and Santa organises a competition to select the next best thing and everything goes down the hill from here. Elliott goes from friendly horse to wannabe-reindeer in sixty seconds flat, leaving his old friends for a chance to be accepted.

But wait, there is more. The baddie-bad villain Miss Ludzinka, a Cruella De Ville type voiced by Martin Short, plans to purchase Elliott’s farm to make jerky out of its residents. Yes, I said jerky. Yummy. Now, after winning, Elliott is disqualified for not being a reindeer and the judges discover that DJ (the antagonist, Blitzen’s son and Elliot’s personal jerk-reindeer bully for convenience sake) has used additional ‘magical cookies’ to stay high in the sky for longer and win the competition.

If they don’t win, they lose the farm. All is lost, or is it? No spoilers here. All I am going to say if that the logline ‘big dreamers dream big’ is repeated over and over to ensure the audience stays tuned and follows Elliott the wannabe-reindeer and his owner the wannabe-farmer on their journey to become better beings.

What happens next? You’ll have to find out. Or maybe not. Maybe you can spare your kids and go watch something where animals are not threatened to be butchered, smoked and become jerky. Just a thought.

Redeeming features of the film include a nice old-fashioned score by Grayson Matthews and interesting facial expressions courtesy of animation director Sean Coughlin’s and his team. Until next time!

Charming

Rated: GCharming

Written and directed by: Ross Venokur

Produced by: John H. Williams

Music by: Tom Howe

Starring: Demi Lovato, Wilmer Valderrama, Sia, Ashley Tisdale, Avril Lavigne, G. E. M., Nia Vardalos, with Chris Harrison and John Cleese.

While writer and director Ross Venokur read fairy tales to his three daughters over the years, they came to realise Prince Charming gets around.  Think about it: Cinderella, Snow White, Sleeping Beauty… They’re all saved by the same guy.  They all fall for, Prince Charming.

In Charming, Venokur has turned the fairy tale around so it’s the Prince who’s cursed: there is such as thing as being too charming.  How is Prince Philippe Charming (Wilmer Valderrama) supposed to know whether it’s the curse or true love when all women are charmed by him?

Cursed by Nemeny Neverwish (Nia Vardalos), a scorned woman turned witch, Prince Charming must find true love before his twenty-first birthday to lift the curse of his charm.  If he doesn’t then all love will disappear from the kingdom.

Like his father and his grandfather, Prince Charming must complete the gauntlet; a journey of self-discovery and manhood while besting the unbeatable beast, escaping giant women cannibals, and most importantly taking a leap of faith to find his true love.

It’s only with the help of a rouge thief, Lenny while disguised as a man of the world but really Lenore Quinone (Demi Lovato), a girl who grew up on the seas, who has locked her heart away for good.  It’s only with her survival skills at the price of three fortunes in gold that the pampered, never-had-to-lift-his-charmed-finger-to-do-anything, has Charming any chance of completing the gauntlet.  Let alone find true love.

It’s lucky Lenore is immune to his charms, otherwise the quest would never have had a chance.  Nor the story.

Not that I was charmed by this film.

It was all a little pre-teen for me.  Complete with girl-band music for the soundtrack that I found difficult to believe the characters were singing.

And the story was stretched beyond believability, even for a fairy tale animation with Lenore jailed for her thievery to suddenly be offered three fortunes to get Prince Charming through the gauntlet!?

And Lenore putting on a baker’s hat was enough of a disguise to be mistaken for the short and fat baker?

And fake moustache and hat makes you look like a boy?

Well, yeah, I guess.  But not really.

I was however, charmed by details like the kingdom billboard advertising a lawnmower with a picture of a sheep and Charming offering Lenore’s partner-in-crime AKA a chirpy red bird a roasted pigeon leg.

And the animation was fluid with colours, my favourite scene when the two explorers enter an enchanted forest with vines reaching out with hands.

But the soundtrack and taking the leap-of-faith romance was directed at a younger audience who may be able to look past those stretches of narrative that made me roll my eyes because, as if!

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