Mortal Kombat

Rated: R

Directed by: Simon McQuoid

Produced by: James Wan

Starring: Hiroyuki Sanada, Tadanobu Asano, Jessica McNamee, Josh Lawson, Joe Taslim, Ludi Lin, Chin Han and Mehcad Brooks.

Death is just another portal.

The Tournament is coming.  Where worlds send warriors who have unlocked their arcana, their power of the soul, to fight.

The Outworld has won the last nine tournaments against Earthrealm, and is set to win the tenth by any means, giving them domination over the Universe.

Sub-Zero (Joe Taslim), a Cryomancer, is determined to end the bloodline of Hanzo Hasashi (Hiroyuki Sanada ) – dating back to Japan 1617, where Hanzo is seen living his day-to-day life with his family.  He says to his wife, ‘I am grateful and blessed to be with you.’

He’s a good guy.

Sent to hell.

His family left frozen amongst the flowers.

The film shifts to modern times, a jolt to MMA fighter Cole Young (Lewis Tan) getting a pep talk from his coach before walking into the cage.

He carries a mark he doesn’t understand.  A mark making him an Earthrealm champion.

He’s also a family man, about to take a beating.

I braced myself for the cheesy asides and family drama while Cole dodges Sub-Zero, Cole unaware of his heritage dating back to that fateful day in Japan where a baby is somehow overlooked and survives (how was this overlooked, I wondered at the time?).

But while Outworld’s Emperor, Shang Tsung sends his warriors to take down Earth’s champions before the high stakes battle even begins, the film introduces a pleasant (well, maybe pleasant isn’t the right word) surprise: chained-up rogue mercenary, Kano (Josh Lawson).  An Aussie meat-head that immediately disarms with comments like, ‘You don’t have the mongrel in you.’  And, ‘No skin off my sack.’ Ha, ha!

I wasn’t expecting crude humour in this video game inspired action fantasy, and was thankful for the risk, lightening the mood, adding to the already entertaining bloody action-packed fights.

Then the film got a little more serious with the good versus evil, or Earthworld versus the Outworlders as Cole finds the temple of Lord Raiden to train, to find his arcana.

Mortal Kombat is an entertaining action movie with good effects: frozen swords and triple, quadruple kicks and getting sawed in half and arms-frozen-off action.

Good on the big screen that gets bloody, with a splash of humour – while entertained in the cinema watching, immediately forgotten – I have to blame some of my distraction on the hellish (ha, ha, excuse the pun, those fans of Scorpion) – day.

There’s a few holes in the story that got me wondering about the why (fans of the video game franchise will notice nods to the game and get more out of the storyline).  But there’re enough surprises, laughs and satisfying wins to make Mortal Kombat (the movie) a good entertainer.

CHiPS

Rated: MA15+CHIPS

Director: Dax Shepard

Producers: Ravi D. Mehta, Dax Shepard, Andrew Panay, Rick Rosner

Written by: Dax Shepard

Based on: CHiPs TV series created by Rick Rosner

Starring: Dax Shepard, Michael Peña, Rosa Salazar, Adam Brody, Vincent D’Onofrio, Jessica McNamee, Kristen Bell, with Jane Kaczmarek, Maya Rudolph, Ed Begley Jr, and Josh Duhamel

The original television series of CHiPs (1977-1983), was an action ‘dramedy’ dealing with the daily crime fighting of the California Highway Patrol officers on their motor cycles. Two of its main characters were played by Erik Estrada (macho, trouble-pronue probationary Officer Frank “Ponch” Poncherello), and Larry Wilcox (strait-laced field training Officer Jonathan “Jon” Andrew Baker).

My memories of this TV show are vague as I only ever saw a few episodes, so I had little idea of how this updated cinema version would compare to its predecessor.

I will happily admit that I found the film to be a guilty pleasure. It was rude, profanity-laden, sexist and with an over-reliance on visual gags and nudity, and it will never win any awards for subtlety. But it was also quite funny and engaging, and in some strange way had its heart in the right place, especially with the depiction of the relationship between its lead characters.

In a reversal of the original TV premise, Officer Jon Baker (Dax Shepard) is now the probationer. A beaten-up former pro motor biker, he is trying to put his life and marriage (to Kristen Bell’s character) back together. Baker is touchingly loyal to his ex-wife and desperately keen to make something of himself. His honesty and odd personality quirks, as well as a running gag based on his unusual reaction to household smells, makes him very appealing. He reminded me of Zach Braff’s character in the TV comedy Scrubs, with both actors sharing a goofy, endearingly naïve charm.

Castillo (Michael Peña) is now a cocky undercover Federal agent masquerading as Officer Francis “Frank” Llewellyn “Ponch” Poncherello, assigned to investigate a multi-million dollar heist that may be an inside job, inside the California Highway Patrol. Ponch is a bit sleazy yet still has some of the boyish charm on show in his earlier comic roles in Ant Man and The Martian.

It doesn’t give the plot away, such as it is, to know that Ponch doesn’t always obey the rules, and has little patience with his naïve rookie partner as he tries to uncover the criminal element within the CHiPs organisation. The plot of this film is not particularly strong or original, and the audience is kept entertained enjoying the visual and verbal humour on display between the two leads.

There were many opportunities to showcase a range of stunts, and by enlisting renowned stunt performer Steve De Castro, plus pros and the best stunt riders for the trickiest and most spectacular manoeuvres, director Shepard ensured these aspects of the film were executed effectively. When Shepard’s character speeds along Californian highways and we get his point of view, the scenes are breathtaking, visceral and convincing, almost making me wish I could ride at all.

Cinematographer Mitchell Amundsen (The Bourne Legacy, Mission Impossible 3 and Transformers 1 and 2) made every action sequence zing, while Los Angeles was impressively utilised in the location scenes.

There were some humorous cameos from comic actors including Jane Kaczmarek and Maya Rudolph as senior police officers, and a brief stint from Josh Duhamel, but the movie belongs to Ponch and Jon and their budding bro-mance.

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