Mother!

MA 15+Mother!

Directed by: Darren Aronofsky

Produced by: Darren Aronofsky, Scott Franklin, Ari Handel

Written by: Darren Aronofsky

Starring: Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer.

Like an introvert’s worst nightmare, Mother! invades the personal space of wife/mother (Jennifer Lawrence) sharing an isolated house with her writer husband/Him (Javier Bardem), who disregards her safety and security, allowing strangers (man/woman (Ed Harris/Michelle
Pfeiffer)) into their home.

From the beginning of the film, there’s mystery surrounding the couple.  Living in the family home of Him that was once destroyed by fire – his wife rebuilds as he struggles to write

The house itself is shown as a living entity that absorbs the emotions of mother, as her world is slowly destroyed.

But the film goes deeper than mere loss of control – there’s religious overtones and narcissism, heart-break, sickness and the sense that the entire world has gone crazy, adding to her loss and further annihilation as her husband steps away to come back only to step away again.

Writing and directing, Darren Aronofsky (Black Swan (2010), Noah (2014), Requiem for a Dream (2000)) has given us something surreal where certain elements will illuminate to some whereas other threads will resonate with others.Mother!

It’s a complicated storyline and I think the success lies with Aronofsky writing and directing.  In comparison, the script of the hugely successful, Black Swan was far more straightforward, his direction adding that otherworldly thread, yet, here he’s been given control over his own writing, allowing a further exploration into the surreal.

Strong performances from the cast allow Aronofsky to delve deep into the strange as the characters are believable: a husband seeming to love and understand, yet, still allowing the nightmare to happen translated through the performances of Lawrence and Bardem.

The subtleties of the male and female need to give and take shift between the husband and wife as priority is given to the strangers invading the house to satisfy the dark and twisted desire of Him.Mother!

Mother! is unique and disturbing and thought-provoking and surprisingly insightful into the female psyche.  The want to be alone with a partner and not having to share the sacred space is just one of the themes that struck a chord.

Psychological horrors/mysteries don’t always satisfy the audience with a conclusion. Yet, I felt Mother! gave some sort of ending, tying off most of the loose pieces.

Through all that strangeness and confrontation where the audience is taken through the increasing nightmare of mother’s existence, the story manages to come full circle.

So, although not an enjoyable experience I found the film successfully scratched at the surface of our existence.

I’m glad I watched the film as it was certainly worth seeing, once.  You have to see Mother! to believe the bizarre nature of the film.  But not an experience I’ll repeat.

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Passengers

Rated: MPassengers

Directed by: Morten Tyldum

Written by: Jon Spaihts

Starring: Jennifer Lawrence, Chris Pratt, Michael Sheen; Laurence Fishburne.

A love story set in space.

I saw the spaceship and the fantastic attention to detail (by award winning Guy Hendrix (Inception)) where each part of the ship is designed to take the audience into a place where androids like Arthur (Michael Sheen) tend bar and people are put to sleep for 120 years so they can migrate to a distant planet.

But more than anything, Passengers is a story about journalist Aurora (Jennifer Lawrence) and mechanic Jim (Chris Pratt), falling in love.

I’m thankful the two lead characters were well-cast and well-beautiful because Passengers is a cheese-fest.

Sci-fi fans will be disappointed with the focus on a love story and I was disappointed because the story was a simple one.

 

On his way from immigrating from Earth to Homeland II, Jim is woken up from his hibernation 90 years too early.

The film asks the question, What would you do if you were alone in space for the rest of your life?

When Jim meets Aurora, they fall in love (of course).  Two people stranded together isn’t so bad when they have each other.  Until they realise there’s something critically wrong with the ship.

If bodacious bodies are your thing, Jen and Chris give you an eyeful.  And I
really have to find out who the clothing designer is because the outfits and shoes are to die for.  See here for interview with designer Jamy Temime. Not that the character, Aurora is happy about being on a floating prison where the destination will never be reached because she’ll be dead by then.

But you can see where I’m going with the description: it’s all about the visual aspect.  And the love story.  I kept on thinking, what if she gets pregnant?

Although a visually stunning film, Passengers fell flat when the storyline became a run-of-the-mill romance.

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