Dora And The Lost City Of Gold

Rated: PGDora And The Lost City Of Gold

Directed by: James Bobin

Story by: Tom Wheeler and Nicholas Stoller

Screenplay by: Nicholas Stoller and Matthew Robinson

Produced by: Kristin Burr p. g. a.

Executive Produced by: Julia Pistor, Eugenio Derbez, John G. Scotti

Starring: Isabela Moner, Eugenio Derbez, Michael Peña, Eva Longoria, Adriana Barraza, Temuera Morrison, Jeff Wahlberg, Nicholas Coombe, Madeleine Madden, and Danny Trejo.

A good fun peppy adventure teen-movie.

It’s hard not to at least have come across Dora the Explorer at some stage – I remember waking up with a self-inflicted sore head on Boxing Day or Christmas morning to a painfully cheery voice as a young nephew watched an excited Dora exclaiming Spanish words on TV.

So, I wondered what a movie adaptation would make of a little girl teaching Spanish – can you say, Dora The Explorer not the cartoon version but human?

Yet the film immediately charms by referencing Dora’s teaching behaviour with Dora’s parents (Michael Peña and Eva Longoria) looking around confused, trying to figure out who Dora is actually speaking to – ‘She’ll grow out of it.’ Says archaeologist, professor dad (Michael Peña hilarious in this role).

So I felt the adaptation had something going for it if the writers have turned the film into a meta conversation while having at laugh at itself.

And Isabela Moner as Dora was well-cast as the warm-hearted teen who has learnt everything she knows about life from the jungle.

But it’s time for Dora to find friends her own age (and species); it’s time, for Dora to move to the city and start High School.

This is a film aimed at a younger audience as peppy Dora fights to be herself while also trying to fit in.

But it’s a kid movie made with sophistication, with montages of polaroids depicting Dora’s journey as a cut-out aeroplane moves across a map, the film reverting from live people to cartoon characters, the continued self-referencing – ‘Let’s make a song out of it!’.  And the soundtrack was pretty cool as well.

What I really liked about the film is how the teen-learning-life-lessons turns into an adventure movie.

It took a while to get going, my nephew telling it how it is asking, ‘Why is she called Dora The Explorer if she’s not exploring?”

Then, the search for Parapatas (The Lost City Of Gold) heats up.

So instead of trying too hard with the jokes (that didn’t always hit the mark, for me, anyway), there’s more clever and adventure while solving ‘jungle puzzles’ and making friends, flipping the film from teen, to cute (see Mr Boots, so obviously an animated puppet, yet still very entertaining), to cartoon Dora, to full action adventure – mind altering spores included.

So the film brings the adults on-side while keeping the kids entertained with the rest of it.

I’m not saying the film was mind blowing, but in the end, I had some fun watching this one.

Sicario: Day of the Soldado

Rated: MA15+Sicario: Day of the Soldado

Directed by: Stefano Sollima

Written by / Based on Characters Created by: Taylor Sheridan

Produced by: Basil Iwanyk, Edward L. Mcdonnell, Molly Smith, Thad Luckinbill, Trent Luckinbill

Music by: Hildur Guđnadóttir

Starring: Benicio Del Toro, Josh Brolin, Isabela Moner, Jeffrey Donovan, Manuel Garcia-Rulfo, Catherine Keener.

The word Sicario comes from the zealots of Jerusalem.  Killers who hunted the Romans who invaded their homeland.  In Mexico, Sicario means hitman (Sicario, 2015).

Sicario: Day of the Soldado brings the same grit as the previous instalment with Alejandro (Benicio Del Toro) returning to take revenge on the cartel who killed his wife and daughter; this time CIA operative Matt Graver (Josh Brolin) needs the assassin’s special set of skills to kidnap the daughter of a cartel kingpin to start a war.  Because now the American Government has declared the cartels as terrorists.

Returning from the Middle East it’s a tactic Matt Graver has used before: take down a king, you solve problems; you make peace.  Take down a prince (or here, princess), you create chaos.

Writer, Taylor Sheridan has brought back many familiar faces, developing the characters further with the exception of FBI Critical Incident Response Group Agent, Kate Macer (Emily Blunt).

Emily Blunt in the original was such a significant piece, the entire film circling her role as, the agent used by forces above her pay-grade, that I wondered how a sequel could have the same impact without her.

Yet, the shear gravitational pull of Benicio Del Toro as Alejandro and Josh Brolin as Matt Graver grab your attention, the undercurrent of force from these bad-guys, now shown to be the ones used by the government for supposed good, are further revealed as the story takes a dark road filled with soldiers from both sides of the boarder fighting their own battles – some newly recruited Coyotes where the money’s in the shepherding of migrants from Mexico to America, more money made from human trafficking than drugs; to the kidnapped daughter of a cartel kingpin, Isabela Reyes (Isabela Moner): sixteen-years-old, queen of her universe and willing to scratch and defend her own pride until the reality of her father’s business is revealed; her kidnappers the only ones she can trust.

It’s a story that keeps developing, like the previous Sicario.  And the tone is similar; yet there’s a more dramatic, emotional undertone as the innocence of the young girl Isabela reminds Alejandro of his daughter and reminds Matt of his humanity.

Sicario: Day of the Soldado

Italian director, Stefano Sollima (Gomorrah, Romanzo Criminale, A.C.A.B.: All Cops Are Bastards and Suburra) certainly had big shoes to fill after director, Denis Villeneuve absolutely nailed, Sicario (2015) (which I gave five stars, see review here).

I’m talking steal-caps not the open-toed numbers worn by Matt – here in Crocs (showing much more about this character than words just by his choice of footwear: brilliant).

And Sollima has succeeded in creating a film similar in tone but slightly different, exploring a more emotional landscape demonstrated so well in the soundtrack.

After the recent passing of composer, Jóhann Johannsson (composer of Sicario and the film here dedicated to his memory), his protégé and collaborative partner, Hildur Guđnadóttir was tasked with composing the soundtrack for Soldado.

Again, we have a similar sound with Guđnadóttir mirroring the same restraint; orchestral touches here and there and references to ‘The Beast’ – with downward bass glissandos and distorted drums.

The droning of that identifiable sound of foreboding doom would have been a temptation for over-use.  But there’s control, like the quiet power and force of Alejandro, the man instantly recognisable by the way he holds himself, by the quiet swagger of his walk.  And it’s the restraint that creates the edge-of-your-seat suspense.

There’s gun shots and blood and explosions but not gratuitous violence because that would take away from the detail of the story.

And devices like raids viewed through the night-vision goggles of soldiers soften the violence, the grainy green of blood splatter more like watching a computer game than people being shot and killed.

So thankfully for us, the audience, we get a sequel that keeps the brilliance of the first film continuing with a new and interesting story.

Some of the Villeneuve poetry is missing.  Even with those wide-len’s shots of a lonely desert still seem to miss the expanse of his eye.  And I didn’t relate to young Isabela Reyes like the force that was Emily Blunt as Kate Macer.

Yet with my expectations set to a such a high level, I was not disappointed.

The Nut Job 2: Nutty By Nature

Rated: GThe Nut Job 2: Nutty By Nature

Director and Co-Writer: Cal Brunker

Producer and Co-Writer: Bob Barlen

Screenwriters: Scott Bindley, Cal Brunker, Bob Barlen

Producers: Harry Linden, Jongsoo Kim, Youngki Lee, Li Li Ma, Jonghan Kim, Bob Barlen

Starring: Will Arnett, Maya Rudolph, Katherine Heigl, Jackie Chan, Bobby Moynihan, Gabriel Iglesias, Bobby Cannavale, Jeff Dunham, Peter Stormare and Isabela Moner.

Cal Brunker wanted to make A Nut Job 2, Nutty by Nature, bigger and more fun so he took the most loved elements of the first movie and mixed nuts and drama with the deft flick of an artist’s eye to bring to life a little band of insurgent parkland animals, a corrupt greedy human oppressor -and turn it into a visually stunning action packed sequel.

 Stuffed on a fast food supply of nuts from the abandoned basement of Nibbler’s Nut Shop, Surly and his animal friends Andie (Katherine Heigl), stray pug Precious (Maya Rudolph) Buddy (Tom Kenn) live happy, lazy and fat in nut luxury without a survival worry in the world.

Nut feasts of every kind are just one furry paw breath away from the hunter gatherers. But their lifestyle of easy pickings ends explosively one night as the nut shop comes tumbling down in a gas explosion.

Unbeknownst to the animals their survival problems are just beginning.

Surly discovers that the local Mayor, a corrupt self-serving meanie Mayor Muldoon (Bobby Moynihan), plans to get rich by bulldozing their beloved Liberty Park and ripping it apart turning it into a hellish carnival ground full of decrepit rides bought on the cheap.

The animals strike back when they team up with some muscle in the adorable fluff ball form of a tough city mouse and Kung Fu master Mr. Feng and his army of displaced mice. Mr Feng has one outstanding flaw, he absolutely loses it when you call him cute.

Mayor Muldoon brutally enlists pest exterminators to exterminate Surly and his friends. Mayor Muldoon has a pint-sized weapon of his own, his daughter Heather – an armed brat with psychopathic urges, a tranquillizer gun and itching trigger finger.

Heather delights in doing horribly wrong things to animals if she can just get her hands on them.

All appears lost as the animal’s face hunger, homelessness and destruction by a predator they are not equipped to battle

What can go wrong is what makes this film so right for its target audience.

A simple movie with big themes: inclusion, diversity, unity, purpose and quest and we we’re cheering the little guy all the way.

Cal Brunker injects the drama with ever higher stakes with the completely unexpected plot twist of my favourite character, Surly’s best friend a non-speaking rescue rat named Buddy (Tom Kenny).

In his scraggly body Buddy the silent heroic outsider captured my heart as he faces off against the destructive power of corrupt human greed.

Nut Job 2, Nutty by Nature is a thrilling ride with unexpected plot twists.  At one moment I sat misty eyed with shock in the cinema with my 11-year-old daughter, My thought at that moment was, ‘this can’t happen in a kid’s movie!’

As I watched this movie with my daughter I was given the gift of escaping into the movie with the eyes of a child.

My daughter loved A Nut Job 2, Nutty by Nature.

The Nut Job 2 draws you into an enormous canvas of animated movie magic. There is enough colour breathing escapism, relentless slapstick smiling animal chaos and rocket fueled action married with characters we care about that makes Nut Job 2 a perfect school holiday movie.

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