John Wick: Chapter 4

GoMovieReviews Rating: ★★★★☆ (4.3/5) John Wick: Chapter 4

Rated: MA15+

Directed by: Chad Stahelski

Written by: Shay Hatten and Michael Finch

Based on Characters Created by: Derek Kolstad

Produced by: Basil Iwanyk, Erica Lee, Chad Stahelski

Executive Producers: Keanu Reeves, Louise Rosner, David Leitch, Michael Paseornek

Starring: Keanu Reeves, Donnie Yen, Bill Skarsgård, Laurence Fishburne, Hiroyuki Sanada, Shamier Anderson, Lance Reddick, Rina Sawayama, Scott Adkins, Clancy Brown and Ian McShane, Marko Zaror, Natalia Tena.

‘Such is life,’ is the playful yet deadly theme in this forth chapter of John Wick, spoken by Winston (Ian McShane), New York manager in explanation of another sour turn of events surrounding the ever-increasing reward for the fulfilment of the Kill Contract for the unstoppable, John Wick (Keanu Reeves).

This time, the Marquis (Bill Skarsgård) of The High Table has been granted the power to do anything necessary to bring John Wick down.

‘Why won’t you die!’

German assassin Killa (Scott Adkins) exclaims through his bloody, gold capped teeth.

Because fueled by his need for revenge, Wick continues to kill anyone in his way towards freedom.

There’re 14 action sequences in this forth chapter, which is four times more than any previous John Wick film.

I didn’t relish the idea of sitting through nothing but fight scenes but the film draws you into the story before the action kicks in.  And it’s this attention to the story as well as the mind-blowing action that sets the John Wick franchise apart.

I had massively high expectations after being blown away by John Wick 3, but returning Keanu Reeves in the lead role (he’s also an executive producer here) and director, Chad Stahelski, did not disappoint.

Producer Erica Lee notes, it’s, ‘the “bond and trust” between Reeves and Stahelski that has defined the John Wick franchise. “Chad has given so much to the films for the better part of a decade. Keanu loves the series so much – he’s in every script meeting and casting discussion and has come up with some amazing story ideas. Very few franchises have the consistency we’ve enjoyed with our core team.”

Chapter 4 opens in Jordan, with John riding horseback, riffle in hand, to Japan, Berlin and Paris, so there’s some interesting sets for those explosive action scenes here.  And the inventive fights just get more intense from knives, num-chuks, exploding bullets of fire, to cars in traffic used like dodgem cars, where the would-be assassins don’t dodge so much.  And neither does John.

Adding to the fight scenes is the additional body armour of the suits worn by John and The Table killers so weapons get added just to make an opening for a kill: thump with a num-chuk to expose a neck for the kill shot.

There are so many moments of cringe and ouch all the while grinning my face off.  Particularly the last quarter of the movie – the grin just got wider as the action got ridiculous.  In a good way.

The choreography is fast and brutal and smooth like a dance – the sheer number of stunt people in the credits understandable.  “Reeves also did precision driving training and horseback riding training, in addition to instruction in many other disciplines. “Over the course of these films, Wick can sign, speak Russian, and, in CHAPTER 4, speak a little Japanese. So, I’m always picking up different skills,” says Reeves.

There’s also a play of light with John’s reintroduction set with a backing of red light so even the cherry blossoms in the background took on a sinister aspect.  And that red light continues to follow Wick through-out the film, like an illustration of his unrelenting need for revenge.

In addition there’s thoughtful one-liners thrown in, strangely enough from the villain, the deadly Marquis, like: ‘A man’s ambition should never exceed his worth.’

Has to be said, Bill Skarsgård as the Marquis is genius casting and just one of the worthy additions to the story – The Tracker (Shamier Anderson) with his partner killer dog was a little obvious.  But then ended up being one of my favourite characters.  There’s also The Harbinger (Clancy Brown) that adds another layer to the story that is The High Table.

If you’re already a fan of the John Wick franchise, Chapter 4 is obviously a must-see and in my opinion, as good as the previous JW3: the detail, the humour, the dogs, the camera work, those shots from above a seriously successful device to show more of the action…  Action at its very best.

What a journey.

 

Mortal Kombat

Rated: R

Directed by: Simon McQuoid

Produced by: James Wan

Starring: Hiroyuki Sanada, Tadanobu Asano, Jessica McNamee, Josh Lawson, Joe Taslim, Ludi Lin, Chin Han and Mehcad Brooks.

Death is just another portal.

The Tournament is coming.  Where worlds send warriors who have unlocked their arcana, their power of the soul, to fight.

The Outworld has won the last nine tournaments against Earthrealm, and is set to win the tenth by any means, giving them domination over the Universe.

Sub-Zero (Joe Taslim), a Cryomancer, is determined to end the bloodline of Hanzo Hasashi (Hiroyuki Sanada ) – dating back to Japan 1617, where Hanzo is seen living his day-to-day life with his family.  He says to his wife, ‘I am grateful and blessed to be with you.’

He’s a good guy.

Sent to hell.

His family left frozen amongst the flowers.

The film shifts to modern times, a jolt to MMA fighter Cole Young (Lewis Tan) getting a pep talk from his coach before walking into the cage.

He carries a mark he doesn’t understand.  A mark making him an Earthrealm champion.

He’s also a family man, about to take a beating.

I braced myself for the cheesy asides and family drama while Cole dodges Sub-Zero, Cole unaware of his heritage dating back to that fateful day in Japan where a baby is somehow overlooked and survives (how was this overlooked, I wondered at the time?).

But while Outworld’s Emperor, Shang Tsung sends his warriors to take down Earth’s champions before the high stakes battle even begins, the film introduces a pleasant (well, maybe pleasant isn’t the right word) surprise: chained-up rogue mercenary, Kano (Josh Lawson).  An Aussie meat-head that immediately disarms with comments like, ‘You don’t have the mongrel in you.’  And, ‘No skin off my sack.’ Ha, ha!

I wasn’t expecting crude humour in this video game inspired action fantasy, and was thankful for the risk, lightening the mood, adding to the already entertaining bloody action-packed fights.

Then the film got a little more serious with the good versus evil, or Earthworld versus the Outworlders as Cole finds the temple of Lord Raiden to train, to find his arcana.

Mortal Kombat is an entertaining action movie with good effects: frozen swords and triple, quadruple kicks and getting sawed in half and arms-frozen-off action.

Good on the big screen that gets bloody, with a splash of humour – while entertained in the cinema watching, immediately forgotten – I have to blame some of my distraction on the hellish (ha, ha, excuse the pun, those fans of Scorpion) – day.

There’s a few holes in the story that got me wondering about the why (fans of the video game franchise will notice nods to the game and get more out of the storyline).  But there’re enough surprises, laughs and satisfying wins to make Mortal Kombat (the movie) a good entertainer.

Subscribe to GoMovieReviews
Enter your email address for notification of new reviews - it's free!

 

Subscribe!