Avengers: Endgame

Rated: MAvengers: Endgame

Directed by: Anthony Russo, Joe Russo

Screenplay by: Christopher Markus, Stephen McFeely

Based on: ‘The Avengers’ by Stan Lee, Jack Kirby

Produced by: Kevin Feige

Starring: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Don Cheadle, Paul Rudd, Brie Larson, Karen Gillan, Danai Gurira, Bradley Cooper and Josh Brolin.

Running time: 181 minutes.

Now we can talk about the ending of Avengers: Infinity War (2018), we’re left with half of all living creatures still here, and the other half disintegrated into ash and gone… With the snap of Thanos’ (Josh Brolin) fingers.

Thanos believed the ones left would thrive.  The ones left did not.  They could remember.  They could grieve.

Endgame (Anthony and Joe Russo returning to direct this final instalment) is a last stand.  Again.

Like the fans walking out of the cinema after watching Infinity War, the Avengers left refuse to accept that the ones they love have gone.

It’s an emotive adaptation.

And one that cuts close with the recent loss of creator, Stan Lee.

So the final instalment and conclusion has an added echo, almost from the man himself (cameo included – peace to you too, Stan).

There are so many characters here, that without a bit of background, the final instalment wouldn’t pack the same punch without some prior knowledge.  Particularly the previous film (part-one), Infinity War.

I admit I haven’t gotten around to seeing Captain Marvel (2019), but I was able to take this new character, Carol Danvers (Lee Pace) along with the rest of the Avengers story.

But yeah, it’s emotional with Natalie AKA Black Widow (Scarlett Johansson) telling Captain America (Chris Evans), ‘This’ll work Steve.’

The Cap replying, ‘I know it will because I don’t know what I’ll do if it doesn’t.’

Even though I’m not a huge fan it’s hard not to get attached to at least some of the characters – hey, there’s enough of them.

Yet the number of characters is handled well – like all the Avenger films.

It’s a long journey (181 minutes), but it’s worthwhile with the action ramping up later in the film to match the emotion of the drama.

I was more impressed with the risk and shock of part-one, Infinity War – the franchise needing a good shake-up.

Here, it’s more about tying off the threads of lines that were left to unravel, to come full circle giving the audience a life-affirming conclusion, a softer landing, I guess: a little like landing on Thors’ new, well-padded belly.

Kong: Skull Island

Rated: MKong: Skull Island

Director: Jordan Vogt-Roberts

Produced By: Thomas Tull, Mary Parent, Jon Jashni and Alex Garcia

Executive Producers: Eric McLeod and Edward Cheng

Screenplay: Dan Gilroy, Max Borenstein and Derek Connolly

Story By: John Gatins

Visual Effects Supervisor: Stephen Rosenbaum, Jeff White

Starring: Tom Hiddleston, Samuel L. Jackson, Brie Larson, John Goodman, John C. Reily, Tian Jing, Corey Hawkins, Jason Mitchell, John Ortiz, Thomas Mann, Shea Whigham, Tody Kebbell, Eugene Cordero, Terry Notary.

A prequel to the story of King Kong (who first appeared on film in 1933) Kong: Skull Island is about the origins of Kong; hinting at a past battle on an island hidden from the world by a never-ending storm.

Set in the ‘70s just as the Vietnam War is ending, scientist Bill Randa (John Goodman) takes a team to Skull Island to explore the possibility of MUTOs (Massive Unidentified Terrestrial Organisms).Enlisting a military escort headed by Preston Packard (Samuel L. Jackson), this group of humans have no idea about the bizarre creatures they’re about to meet… or get eaten by…

The production team who created the 2014 film Godzilla have reunited here and some of the creatures on Skull Island reminded me of the Godzilla film, particularly those scary skull lizard creatures AKA Skull Crawlers. But there’s a better story here. Skull Island is more than the creatures and special effects although it was sometimes a close thing with the dialogue falling flat at times.

There’s a touch of fun with the 70s soundtrack and humour in the script but some of the jokes didn’t quite come off. The times when the film took itself too seriously were worse. Where the sincerity was just too much to swallow, losing that suspension and ruining the fantasy. But really, this was rare in the film which is a minor miracle when dealing with a MonsterVerse.

Samuel L. Jackson with those grouchy looks plays the villain well. And Tom Hiddleston as James Conrad, the hero, was believable as the British solider turned mercenary tracker – there’s a fantastic cast here. The highlight for me was John C. Reilly as the stranded WWII solider Hank Marlow. Now this guy was funny.And a great way to get the audience on side.

The Visual Effects team have given Kong some magic that make it seem there’s thought and emotion behind those eyes. And to really give the film that authentic flavour, director Jordan Vogt-Roberts (Kong being his second feature film) and the team film those beautiful tropical landscapes at real locations around the world: Oahu, Hawaii, the Gold Coast in Australia and Ha Long Bay (amongst others) in Vietnam.

There was some good action here and some tense moments with a conflict set up between those for Kong and those against. The script gives a bit of meat (ha, ha) to the story and there’s some good blood and guts with a setting that lives and breathes as an undiscovered world to frame Kong’s origins.

Great film to see on the big screen.

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