Ready Player One

Rated: MReady Player One

Directed by: Steven Spielberg

Screenplay Written by: Zak Penn and Ernest Cline

Based on the Novel Written by: Ernest Cline

Produced by: Donald De Line, Kristie Macosko Krieger, Spielberg, and Dan Farah

Starring: Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe, T.J. Miller, Philip Zhao, Win Morisaki, Hannah John-Kamen, Simon Pegg and Mark Rylance.

Based on the dystopian world created in the novel written by Ernest Cline, Ready Player One opens in an overpopulated Columbus, Ohio, 2045.  A place where Wade Watts (Tye Sheridan) wants to escape every chance he gets because he’s living in the Stacks… with his aunty and loser boyfriend… sleeping on top of the washing machine…

Wade thrives in the OASIS, a virtual universe where he feels alive, where as his avatar, Parzival, he has a chance to win the ultimate prize: control of OASIS.

When James Halliday (Mark Rylance), the brilliant and eccentric creator of OASIS dies, he leaves a parting gift to the world – the final game where any player can win.

Somewhere left in the game are three keys that when found lead to an Easter egg: whomever finds the egg first wins the game and control of OASIS, meaning half a trillion dollars and ultimately control of the world.

A high-stakes game that of course, has a villain: Nolan Sorrento (Ben Mendelsohn) head of operations of Innovative Online Industries, or IOI, and self-proclaimed colleague of everyone’s hero, Halliday.

To win the game is to win everything, and Sorrento plays to win with all the technology and army (AKA the Sixers) money can buy.  He’ll stop at nothing.  And against the young Wade Watts who’s all heart, it’s a David versus Goliath tale, set to an 80s soundtrack while featuring all the pop culture references associated with that time.

Ready Player One takes a new view of a classic ideal with Halliday, the old and awkward mentor that we love and admire; the want to be able to achieve anything as long as we work for it and want it bad enough; that love is there waiting for us if the time is right to take the leap; that with the help of friends (like the High Five) evil can be overcome…

Pretty cheesy stuff, and there’s a lot of those teen moments.  Yet, the struggles are hard-wired into our brain, so I couldn’t help but grin and cheer for the underdogs.

Add that action-adventure aspect with the riddles and search for keys in a computer game brought to life by three years of VFX work to get all the overwhelming detail right, you’ve got an entertaining film.

The highlight for me was the reference to Steven King’s, The Shining.  Most will find a reference to relate to; the 80s has something for everyone, but I found the scare-factor of The Shining and attention to the animation particularly impressive.  When inverted, into the ‘real world’, to laugh at the baddies getting their scare-on, it was brilliant: Stephen King, the ultimate equaliser.  There’s a reason I’m such a fan and hats-off to Spielberg for re-creating The Shining world so well.

But enough with the references ‘cause I’m grinning while I’m writing so I’ll end with: Ready Player One is a classic action adventure that felt unique by showing the past in a new light provoking a feel-good 4-star cheeky grin.

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Darkest Hour

Rated: PGDarkest Hour

Directed by: Joe Wright

Written by: Anthony McCarten

Producers: Tim Bevan, Eric Fellner, Anthony McCarten, Lisa Bruce, Douglas Urbanski

Starring: Gary Oldman, Kristen Scott Thomas, Lily James, Stephen Dillane, Ronald Pickup and Ben Mendelsohn.

Set over the course of four weeks in 1940, Darkest Hour is based on the true story of Winston Churchill and the immense burden he carried as newly-appointed Prime Minister when Nazi Germany invaded Western Europe.

It’s a critical time in history.  A decision must be made to either fight in another world war against all odds, the Germans surrounding the entire British army on the shores of Dunkirk – or to negotiate with a madman.

The fight on Dunkirk is fresh in the minds of film enthusiasts after the recent release of Christopher Nolan’s memorable, ‘not-a-war movie’, Dunkirk.

Darkest Hour shows a different version of WWII, focussing on the same time in history yet here the story unfolds not on the ground – the soldiers dodging bullets or falling into the icy waters – here, we follow the men making the decisions and observe the politics and strategies of war held behind closed doors.  And with Churchill, sometimes the most important conversation taken on the telephone behind the door of the lavatory.

Darkest Hour is based on the beginnings of WWII, yes, but the story is about the man – Winston Churchill and all his flaws.  A man who has never taken the tube (well, only once during the strikes), a man whose wife (Kristen Scott Thomas) finds him intolerable but loves him anyway.  And no matter his power or position will always know him as, Piggy.

Churchill never gives up, and it’s precisely his flaws that give him the strength to succeed.

Gary Oldman is every bit deserving of his recent Golden Globe award for Best Performance by an Actor in a Motion Picture – Drama.  See his acceptance speech here.

As Winston Churchill, Oldman’s barely recognisable as he embraces the part and becomes every bit the British Prime Minister affecting all the required mannerisms of the mumbling, alcoholic, cigar smoking, yet brilliant mind and oration of the man.

Ben Mendelsohn finally gets to be the good guy, here as King George VI.  Not the regal performance of Colin Firth in, The King’s Speech (2010) but suiting the tone of the film better with the gritty human nature of the characters used for amusement amongst all the seriousness of the story.

And there’s not many tricks here – director Joe Wright (Atonement, Hanna, Pride & Prejudice, Anna Karenina) keeping any effects subtle with a sometimes lofty birds-eye-view to convey the overall feeling of politicians seeing the population as small parts to be manuvered for the greater good.

Mostly, this is a character-driven film, focussing on the dialogue and emotion of those who discuss the fortunes of thousands of lives.  We, as an audience, get a window into the world of Churchill as he weighs the cost; to ultimately decide no cost is too much – there is only perseverance to fight until the very end.

So, for all Churchill’s flaws, we are shown true grit and the character required when the world ceases to make sense.  And can the man speak!  The real pleasure of the film watching Churchill use his words to win over a nation, his famous speeches delivered by the believable performance of Gary Oldman.

Would I watch the film again?  Probably not.  This isn’t a thriller that keeps you on the edge, this is a stirring education and insight into just how close we came to losing our freedom.

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