Old

Rated: MOld

Directed by: M. Night Shyamalan

Written by: M. Night Shyamalan

Based on the Graphic Novel: ‘Sandcastle’ by Pierre Oscar Lévy and Frederik Peeters

Produced by: M. Night Shyamalan, Ashwin Rajan, Marc Bienstock

Starring: Gael García Bernal, Vicky Krieps, Rufus Sewell, Ken Leung, Nikki Amuka-Bird, Abbey Lee, Aaron Pierre, Kathleen Chalfant, Alexa Swinton, Nolan River, Kylie Begley, Embeth Davidtz, Eliza Scanlen, Alex Wolff, Emun Elliott, Thomasin McKenzie.

I wasn’t overly impressed with the trailer for, Old: people going to a beach and getting old.  Quickly.

But being a Shyamalan film, there’s always going to be more to the story.

Based on the graphic novel, Sandcastle the idea of people stranded on a beach, rapidly aging, gave Shyamalan the foundation of the film.

I don’t know whether it’s because I haven’t been to the beach, heard the waves or being greeted at a resort with a cocktail for a while (supposed to be in Magnetic Island right now but currently in lockdown, grrr) – the scenery added another dimension: the water always flowing, keeping time.

The Capa family arrive via a private bus to resort, Anamica.

There’s the sound of birds and cicadas: the sound of the tropics.

The daughter, Maddox (Alexa Swinton) is singing.

‘I can’t wait to hear it when you’re older,’ says Prisca (Vicky Krieps) about her daughter’s voice, mother of Maddox and young son Trent (Nolan River).

Some of the hints are heavy handed.

Yet the family dynamic with husband, Guy (Gael García Bernal) and Prisca’s relationship being played out in front of their children; and their young son hanging out with his new friend, Idlib (Kailen Jude) son of the resort manager: ‘What’s your name and occupation,’ the two boys ask the resort guests.  It’s the sort of thing kids do when they’re free and happy on holidays.  And a great way to introduce the main characters.

It’s all very watchable.

Like an easy listening radio station.  It’s easy watching.

But there’s always hints of what’s to come.

A guest has an epileptic seizure at breakfast.  But she’s OK.

Parents keep secrets from their kids.

There’re buzzards flying overhead.

Given an invitation to a private beach, it’s made very clear it’s a secret.  Just for the Capa family.  But then other guests get on board the bus.

They’re driven through the jungle.

Just walk through a cave and you’re there.

The cave opens-up onto a pristine beach, surrounded by rocky cliffs.

A lone man sits in the distance.

The kids find buried cutlery and dolls in the sand.

There’s no phone reception.

Then the children on the beach begin to change.

‘Something is going on with time on this beach.’

I expected the build to be boring.  But there’s enough mystery going on with the characters inside the main storyline to allow pace.

The timing is important in the film because the whole story’s about time.

Old isn’t edge-of-your-seat action or thriller, but suspense handled well.

The kids particularly at the start of the film ease the story in nicely.

I like Vicky Krieps (Phantom Thread) as the mum.

The casting all round was well done, the change of the young kids to the older characters believable.

Except the glaring change in eye colour for one character (not giving anything away), from blue to brown when she gets older a jolt out of a tenuous suspended reality.  I don’t know whether I missed something or a genuine oversight?  But it felt like swapping out an actor in a soap opera and everyone pretending it’s the same character.  The change threw me.

Yet even after this stretch the film was still better than expected with good pacing making the mystery overall, an intriguing watch.

My Friend Dahmer

Rated: MMy Friend Dahmer

Written & Directed by: Marc Meyers

Based on the book ‘My Friend Dahmer’ by: Derf Backderf

Produced by: Jody Girgenti, p.g.a., Marc Meyers, p.g.a., Adam Goldworm, p.g.a., Michael Merlob, Milan Chakraborty

Starring: Ross Lynch, Anne Heche, Dallas Roberts, Alex Wolff, Tommy Nelson, Vincent Kartheiser, Harrison Holzer and Miles Robbins.

 

Based on the true story of serial killer, Jeffrey Dahmer, My Friend Dahmer is a tense and creepy examination of Dahmer’s life before he became a murderer.

Reminiscent of the tone used in J. D. Salinger’s, ‘The Catcher in the Rye’ there’s a constant tension with signs of Dahmer’s compulsions apparent in his obsession of collecting road-kill to then soak in acid to collect the bones: external behaviour symptomatic of his increasingly disturbed mind.

Based on Derf Backderf’s critically acclaimed 2012 graphic novel, Derf writes from personal experience after attending high school with Dahmer.  Before finding out about Dahmer’s confession, Derf (his character in the movie played by Alex Wolff) considered his high school experience to be like everyone else’s.

Film writer and director, Marc Meyers asks, ‘What are those forces in one’s life that sculpt and define us? How do we become who we become? Why does one teenager find promise and his friend, meanwhile, enters adulthood broken?’

This isn’t a violent or gory film, but a character study of suspense.

Following Dahmer (Ross Lynch) through senior-high, pre-1978, the audience is shown the typical teen struggles as the isolated, unusual Dahmer is adopted by a group of boys who find his antics hilarious.

Surrounded by girls ‘aggressively’ out of their league, team-Dahmer create a high-school legend as Dahmer throws epileptic-type fits in class, in the hallway; random moments that disturb and amuse. And the antics of making Dahmer their mascot is genuinely funny, in an adolescent kind of way.

That’s what’s so unsettling about the film: the ordinary nature of kids in school being typical.

Everyone grew up with a kid like Dahmer.  But what was it that turned a kid-made-famous in school by chucking fits for attention, all for the entertainment of his new mates, into a serial killer, ultimately confessing to the murder of seventeen men and boys?

Meyer’s focusses on the characters, allowing the story to speak without flash, without overt violence like blurring the image of a gutted dog, the impression enough to evoke the heart-rending response.

This isn’t a true-crime investigation with detectives and interviews, instead, the depths of Dahmer are explored showing his struggle to connect, showing there’s wit and humour buried beneath the cold exterior.

You can see the tipping of his compulsions versus his want to be with friends changing depending on the difficulties he faces at home with his mother’s mental illness (outstanding performance of Joyce Dahmer by Anne Heche) and his parents divorcing.

His father, Lionel Dahmer (Dallas Roberts) tries to understand the bizarre behaviour of his kid, to make the effort to encourage change like buying Dahmer a set of weights to get him out of the road-kill death hut and to maybe meet a girl.

And you can see Dahmer trying yet failing to fight against his needs.

This kid is twisted and it’s difficult yet fascinating to watch.

There’s a curiousity out there, to watch the makings of a serial killer.  But this isn’t one of those sensationalised dramatic thrills.

My Friend Dahmer is more of a quiet observation made all the more disturbing through a setting of the ordinary.

 

 

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