Miss Sloane

Rated: MMiss Sloane

Directed by: John Madden

Written By: Jonathan Perera

Produced by: Ben Browning, Kris Thykier

Executive Producers: Claude Leger, Jonathan Vanger, Patrick Chu

Starring: Jessica Chastain, Mark Strong, Gugu Mbatha-Raw, Alison Pill, Michael Stuhlbarg, Jake Lacy, Sam Waterston and John Lithgow.

A perfectly layered political drama/thriller that plays out like an intricate game of chess.

As the character, Miss Sloane (Jessica Chastain, two-time Academy Award nominee) says, ‘Lobbying is about foresight, about anticipating your opponent’s moves and devising countermeasures. The winner plots one step ahead of the opposition. It’s about making sure you surprise them and they don’t surprise you’.

Miss Sloane

Miss Sloane is a fast-paced film as the audience is taken along with the calculating mind of Sloane. And what an amazing complicated character to watch: her ambition, misdirection, suspicion, lack of moral code; she’s portrayed as a sociopath and to watch this brilliant relentless mind at work is fascinating.

The film opens as Sloane’s held to account in front of a congressional hearing regarding her code of conduct and ethical standards.  Then flashes back to what led her to the ultimate confrontation: pushing to pass a Bill requiring the background check of those wanting to buy firearms.  Translating to: Miss Sloane versus the Gun Lobbyists.

In the supporting cast, there’s the well-known faces of Mark Strong as the CEO of the boutique firm she joins to fight for the Bill, and Sam Waterston as George Dupont: head of an old-school lobbying firm where she earned her name as one of the most cutthroat lobbyists around, willing to do anything to win.Miss Sloane

It’s hard not to think back to Law & Order when seeing Sam Waterston.  He plays the lobbyist so well but as a twist, he’s the bad guy here.

Screenwriter Jonathan Perera has had his first script translated to the big screen by director John Madden.  And what a pleasure it must have been pulling so many layers together into the glorious satisfying end.  When I say layers, there’s a lot going on here but the delicate touch of Madden let the story keep its own pace, with each move a further step towards a reveal you don’t see coming.

Perera was a U.K.-educated attorney who left his practice to write, his background adding an authenticity and edge to those cat-and-mouse games shown so well in this film.  But there’s also the revelation of how the whole lobbying business works in American politics.  And what it means to take on the power that is the gun lobby group, self-portrayed as the protectors of the Second Amendment of the United States Constitution. 

Madden and Perera went to great lengths to ensure the accuracy of how lobbying works, consulting a lobbying firm: Glover Park Group. 

I admit I was a little lost at the beginning of the film.  The character, Miss Sloane’s mind works fast and the audience is expected to keep up with the jargon.  My advice is if you don’t follow, let it go.  It’s worth keeping up with the film as it runs, and well worth the journey.

What makes the film truly successful is the complicated nature of the character that is Miss Sloane.  She’s certainly not the most empathetic woman, but the obsession to win at any cost was somehow relatable: I wanted to be as smart and sophisticated as her.  But the film also shows the cost of her success making Miss Sloane strangely likeable.

This is a thoroughly absorbing film because its cleverness is combined with an undercurrent of emotion that’s felt without needing explanation.

Classy and smart all the way – brilliant.

https://youtu.be/TOrsh-D35vg

10 Cloverfield Lane

GoMovieReviews Rating: ★★★☆ (3.7/5)

Director: Dan Trachtenberg10 Cloverfield Lane

Writers: Josh Campbell, Matthew Stuecken.

Story and Screenplay: Josh Campbell, Matthew Stuecken, Damien Chazelle.

Starring: John Goodman, Mary Elizabeth Winstead, John Gallagher Jr.

Based on the script, The Cellar and part of the Cloverfield series (see Cloverfield (2008)), this is a psychological thriller that was well-paced.  And by thriller, I mean the soundtrack (composed by Bear McCreary) was used to build the tension and restraint was used in telling the story.

Howard (John Goodman, and my goodness he was well-cast in this one), is a doomsday fanatic.  Building his bunker, his ‘Arc before the flood’, he knew it was coming.  Whether It be aliens, the Russians or the Korean’s (North, he’s convinced later), Howard knew It was coming.  And now, it’s just not safe to go out there.

Goodman’s facial expressions and frankly, his girth, make Howard’s creepy character believable; not only did he hold the keys, he’d certainly be suck’n up all the oxygen with that set of lungs.  And the camera work here is to be commended, the upward angle making Howard look more powerful and in control.

Much of the suspense is built around the soundtrack, so you kind of know what’s going to happen but you kinda don’t.  I liked the restraint used to build this story of claustrophobia, with time spent building the characters, allowing the audience to get close: Howard, the creepy-doomsday guy, Michelle (Mary Elizabeth Winstead), the normal one, and Emmett (John Gallagher Jr.), the loveable-but-not-quite-sure-about one.

There are not many tricks or tools used to portray this movie and what was used by director Dan Trachtenberg was used well.

I enjoyed the relationship between the characters, and the idea, that, Yeah, I’d probably try that too.  Everyone was there for a reason and the audience was left, like Michelle, not quite sure what to believe.  And yes, thankfully, there are a few surprises.

But I wasn’t blown away by 10 Cloverfield Lane because the suspense wasn’t enough to build that edge-of-the-seat tension.

Worth a watch.

 

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