Rated: MA 15+
Directed by: Haruo Sotozaki
Written by: Ufotable
Produced by: Akifumi Fujio, Masanori Miyake, Yūma Takahashi
Voices: Natsuki Hanae, Akari Kitō, Yoshitsugu Matsuoka, Hiro Shimono, Akira Ishida
Early in the film, a motley band of friends is racing to jump aboard a steam train that has already begun pulling away from the station. They are hampered by their swords which they need to keep hidden from the other passengers. Even so, they all bring their swords aboard because, ‘You never know when a demon might appear.’
Their plan is to meet up with the revered Flame Hashira, Kyojuro Rengoku (Hiro Shimono), and join him in the Corps of Demon Slayers. Forty passengers have recently disappeared off the Mugen train and there are suspicions that demons have infiltrated the line.
One of the essential differences between this film and its western counterparts is the way that the bad guys are conceptualised. In the west the baddies are stars and their backstory and motivations are often the focus.
Whereas in the Japanese film, demons do not act according to reason. The Japanese demons are almost solely defined by their appearance and their actions. This, of course, switches the role of their heroes also.
I noticed this in particular when I compared Mugen Train with Wonder Woman 1984. While both films are about vanquishing demons there are some significant contrasts.
In Wonder Woman, the evolution of the villain from smarmy snake oil salesman type to world conquering demon is far more nuanced in comparison to the personal journey of the exceptional being graced with magical powers who swoops in to save humanity from a demon who is manipulating the population through their wishes.
In Mugen Train the aspiring demon slayers all hail from humble backgrounds. Even the Flame Hashira Rengoku has come from a modest home and has risen above some heart wrenching setbacks.
The demon slayers could be you or me if we were that devoted to a cause, with Inosuke (Yoshitsugu Matsuoka), the boar-headed one appealing to the lustier side of our natures.
While ravening demons that immediately regenerate may have an unfair advantage in battle, at least until they are beheaded, the demon slayers each have a spiritual core which aligns them to the vast elemental forces of the earth.
Rengoku is able to call upon the Blooming Flame Undulation and Blazing Universe forms to pit against Destructive Death: Air Type of the demon. Life hangs in the balance as the monster Akaza (Akira Ishida) confronts him with his own mortality, ‘Strength isn’t a word to describe a body . . . If you refuse to become a demon I’ll kill you. You’ll die while you are still young and strong.’
In this film dynamic action sequences and epic battles with a slew of hideous, soul slurping demons, but there is also a deep reverence for the fragility of life this planet and the elements that support our being. This is a film that ends with the question, ‘What’s more important than grief?’ It is a question the film asks so delicately we barely notice that we have been asked, and yet it is asking us to identify what it is that we will fight to the death to save.
Whenever I think of adult animations I usually feel that I have outgrown them so I was in for a surprise. The animation is so sensitively wrought, visually rich and poetically resonant in a piece of filmmaking with subtlety and depth.
