Author: Natalie Teasdale

I want to share with other movie fans those amazing films that get under your skin and stay with you for days: the scary ones, the funny ones; the ones that get you thinking. With a background in creative writing, photography, psychology and neuroscience, I’ll be focusing on dialogue, what makes a great story, if the film has beautiful creative cinematography, the soundtrack and any movie that successfully scratches the surface of our existence. My aim is to always be searching for that ultimate movie, to share what I’ve found to be interesting (whether it be a great soundtrack, a great director or links to other information of interest) and to give an honest review without too much fluff. BAppSci in Psychology/Psychophysiology; Grad Dip Creative Arts and Post Grad Dip in Creative Writing. Founder of GoMovieReviews.

By the Sea

By The SeaDirected by: Angelina Jolie Pitt

Written by: Angelina Jolie Pitt

Starring: Brad Pitt, Angelina Jolie Pitt, Mélanie Laurent, Melvil Poupaud, Niels Arestrup, Richard Bohringer

The drinking, the smoking, the difficult relationship and the seaside… If I didn’t know any better, I’d think I was about to watch a film based on a Hemingway novel.

There were definite echoes of the novel, The Garden of Eden (published in 1986, posthumously).  But without the amazing dialogue Hemingway is so famous for, By the Sea, was, listless.

Set in a French, beachside resort in the 1970’s, By the Sea, could have been a 1930’s film, bar the public nudity. And there are some soft porn moments here. But this film is definitely about the strained relationship between Vanessa (Angelina) and Roland (Brad).

It’s not an easy feat depicting depression. Watching a relationship disintegrate can be a boring business. I was left wondering how it was possible for people to have so much time to do nothing.

The silence of what is left unsaid between Vanessa and Roland is juxtaposed with the loud and happy love of Lea, (Mélanie Laurent – she was fantastic in Inglourious Basterds (2009), also cast alongside Brad Pitt) and François (Melvil Poupaud) on their honeymoon. Nothing highlights an unhappy couple more than a happy one.

The beauty of the setting, the turquoise water, the rocky landscape of the French seaside gives the audience a break from the sad-faced Vanessa.   The old French café owner, Michel (Niels Aretrup) and hotel owner, Patrice (Richard Bohringer), gives warmth to the story. But the dominance of Vanessa makes it a somewhat boring film because the character is so incredibly lifeless.

There are moments of interesting dialogue, mostly between Roland and the other characters, and more thought into what was spoken, or perhaps framing the silence better would have made a more compelling film.

I didn’t mind being lulled by the silence because I don’t mind the feeling of listlessness. But you’ve got to be in the right mood for this one.

 

The Hunger Games: Mockingjay Part 2

The Hunger Games MockingJay Part 2Director: Francis Lawrence

Screenplay: Peter Craig, Danny Strong

Based on ‘Mockingjay’ by Suzanne Collins

Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrleson, Philip Seymour Hoffman, Donald Sutherland, Julianne Moore.

I had to play catch up with this one, having missed the last two releases.

Catching Fire was a pleasant surprise. I love the characters going back into The Games. And what a pleasure to see Philip Seymour Hoffman on the screen again (sob, sob). What an amazing actor (Capote (2005), Doubt (2008), The Ides of March (2011), A Most Wanted Man (2014), to name a few). It was a nice touch to dedicate the Mockingjay Part 1 to him in the credits. The reworking of the script to include a letter written by Hoffman’s character, Heavensbee, for the final instalment was well done by director, Francis Lawrence (director of the final three instalments). The letter read by Woody Harrelson’s character, Haymmitch Abernathy. See article in The Los Angeles Times here…

There was potential for Mockingjay to become saccharine, with the propaganda, and emotive speeches that became the focus of Part 1. Thankfully, the character Johanna Mason (Jena Malone, well cast, I say), had the hard authentic nasty to bring the film back from too much cheese.

Mockingjay 2 takes us to the final battle against the Capitol and tyranny of President Snow. Katniss (Jennifer Lawrence), has become the symbol of the rebellion and under the direction of Coin (Julianne Moore), the leader of District 13, the Districts are aligning behind the symbol of the Mockingjay.

Facing battles from all sides, including her once trusted ally, Peeta (Josh Hutcherson), Katniss must stay strong to overthrow Snow. But Snow won’t go quietly, and hence the battle for the Capitol becomes the final Hunger Games.

I haven’t read the books so the story with its twists and turns was a welcome surprise for me. The characters were becoming a little flat, the story a bit too: bad guys versus good guys in Part 1; Part 2 has enough twists to keep the story interesting.

The inclusion of Katniss singing The Hanging Tree in Part 1 as the rebels’ anthem was genius. Jennifer Lawrence has a lovely, simple warm voice that was a nice finishing touch in Part 2.

I liked this film. It was a well thought-out conclusion to the saga, and I left with a satisfied, warm feeling.

 

SPECTRE

SpectreDirector:              Sam Mendes

Screenplay: John Logan, Neal Purvis, Robert Wade; Jez Butterworth

Story: John Logan, Neal Purvis; Robert Wade.

Starring:  Daniel Craig, Christoph Waltz, Léa Seydoux, Monica Bellucci;  Naomie Harris.

An entertaining Bond classic with great acting, brilliant cinematography (Hoyte van Hoytema) and a neat story.

This is the second Bond film directed by Sam Mendes, Skyfall being the first.  Who can forget the terrible oversight of casting Kincade, the groundsman of Skyfall, up in the Scottish Highlands, with an American accent?! Myself and the attending audience heaved a huge sigh of disappointment, tainting the rest of an otherwise good film.   Besides this oversight, I found SPECTRE to be the more entertaining.

Bond’s childhood is once again the subject of this movie, his upbringing drawing Bond into the world of SPECTRE and its world domination through Orwell’s nightmare – Big Brother watching us all. Information is power, and being the classic Bond, M wasn’t having any of it – indeed! Yes, a classic – Bond battling the hi-tech villain, Oberhauser (Christoph Waltz), the Bond girls, with Monica Bellucci still such an elegant, beautiful woman. And I just loved the car, an Aston Martin DB10, yum, yum.

There was a quiet section where I then noticed the young teen kicking the back of my seat, and then the young guy next to me chewing his fingers off… It’s a long movie for some (2 hours 30 mins), as are all the Bond films. But then it was back to the action and I was absorbed again.  ‘You’re like a Kite dancing in a hurricane’, is one piece of dialogue that stuck in mind.

There’s certainly a formula to the Bond films, and yes, there was a bit going on here… But I found SPECTRE to be an entertaining movie, shown with a wry sense of humour.

And you’ve just gotta love the sincere look of Daniel Craig as Bond.

 

The Last Witch Hunter

The Last Witch HunterDirected by: Breck Eisner

Written by: Cory Goodman, Matt Sazama and Burk Sharpless

Starring: Vin Diesel, Rose Leslie, Elijah Wood and Michael Caine.

I don’t mind a bit of trash as long as it’s good trash. If it’s just trash, well, then it’s just a waste of time. The Last Witch Hunter fell somewhere in between, so, not so good trash?

At first I noticed how lovely Vin Diesel’s eyes are, so surprisingly warm. And then I noticed how clichéd the portrayal of witches was becoming. I mean, witches drinking Absinthe and being cat lovers? Come on! I was expecting more than some bullshit Goth flick. Then the story got a bit better.

Kaulder (Vin Diesel) becomes immortal after being cursed by the Witch Queen, to live forever with his memories of loss. The Witch Queen’s belief that humans hide in fear behind walls of stone and destroy the earth being her reason for her reign of terror. And yes, I can see something in that.

The movie was visually entertaining with giant burning trees and swarms of flesh eating insects and surprisingly pretty butterflies. Yes, a fair few bugs in this one. The story did take a few unexpected turns, but, I admit, I was a little disappointed. I could see the actors trying to make the dialogue work, Chloe, played by Rose Leslie (Game of Thrones) was particularly forced. So it was painful to watch at times, realising the actors themselves didn’t believe what they were saying.

Look, if you’re into this supernatural-type movie, you’ll go and watch it no matter what the review. Just don’t expect greatness.

 

Paranormal Activity: The Ghost Dimension

Paranormal Activity The Ghost DimensionDirected by: Gregory Plotkin

Written by: Jason Harry Pagan, Andrew Deutsehman, Adam Robitel and Gavin Heffernan

Starring: Chris J Murray, Brit Shaw, Dan Gillas, Ivy George and Olivia Taylor Dudley.

What a well-timed pre-Halloween release. And finally, a movie well suited to watch in 3D. Well, more like 4D with the vibrating floorboards of the thumping bass in the eerily empty Monday matinee cinema I was in. Love it!

So, the final piece of the puzzle: another family, another chosen child and Toby back and now more visible and real than ever.

The premise of using (yet another) camera, was cleverly written into the story. Finding excuses to always be filming the family life in the house must be getting thin on the ground after the 6th in the series, but I think this spiritual camera business was a smart idea. This time, the audience can actually see the daemonic being that is Toby.

The acting of the dad, Ryan Fleege (Chris J Murray), was a bit strained at times. His brother, Mike Fleege, and uncle to young Leila (Ivy George) was a good edition, releasing the tension with a bit of humour. Not really sure of the role, Skyler (Olivia Taylor Dudley), with the short denim shorts and tight white singlet top, the friend, if only for a bit of eye candy. But I guess with both the uncle and friend, the audience was given space in between the scary bits.

Even though I knew what was coming, it was nice to have the series tied off. I was scared but still smiling because I love a good horror thriller, and I found The Ghost Dimension to be entertaining.

The paranormal series doesn’t get as much kudos as they deserve. Horror thrillers seem to rate poorly against dramas, and I think this is unfair. This is a different movie experience and I enjoyed it.

 

Sicario

Director: Denis Villeneuve

Written by: Taylor Sheridan

Starring: Emily Blunt, Benicio del Toro, Josh Brolin

I can’t fault this film.

This is a story of Kate Macer (Emily Blunt) an FBI Critical Incident Response Group Agent, thrown into the world of a Mexican drug cartel and the CIA’s fight to control the violence. And like Kate, we, the audience don’t know where it’s all going to lead.

This was a very well thought-out film: story, characters, soundtrack, cinematography and editing all combined to create tension and to keep the audience guessing. Sicario is more about the tension then violence. If the violence didn’t add to the story, then it wasn’t included. Clever devises and the imagination of the audience was left to piece the action together.

The cinematography (Roger Deakins) was a stand out for me: skies of rain, grainy black and green, infra-red; the silhouette of figures in army fatigue against an apricot sunset. The change in the visual imagery was used to create different moods and to keep the eye interested. With the ominous (there really is no other word) soundtrack by Jóhann Jóhannsson adding to the darkness and intensity.

There are some great characters here. Particularly Alejandro, played by Benicio del Toro (fans of The Usual Suspects will recognise) – likable yet terrifying. And I have to say I enjoyed the added texture of Spanish throughout the film. Matt, played by Josh Brolin (think, No Country for Old Men, also cinematography by Roger Deakins and another favourite of mine) was also a very interesting, well-rounded character who could make you laugh, but then turn you cold with a smile. I will be on the lookout for any upcoming films featuring Josh Brolin.

But it really comes down to the directing in the end. Denis Villeneuve has been around for a while: Incendies, (2010), Maelström (2000), Prisoners (2013). He is also set to direct the sequel to Blade Runner – very exciting stuff!

If you haven’t watched Sicario yet, you’re in for a treat.

 

Crimson Peak

Crimson PeakDirector: Guillermo del Toro

Screenplay: Guillermo del Toro, Matthew Robbins, Lucinda Coxon

Starring: Tom Hiddleston, Jessica Chastain, Mia Wasikow, Charlie Hunnam, Jim Beaver

Yes, there is lots of red. And perhaps I should have drunk some red to get through this one.

It’s one of those movies I just have to watch. Ghosts, a love story and blood. I love the romantic gothic, old fashioned gore, and Crimson Peak looked to meet all my expectations.

Edith Cushing (Mia Wasikow), believes in ghosts. She can see ghosts: some are good, some are bad, and they’re all pretty scary. Yes, there’s the classic love story of girl meets Baronet bad boy. And there are surprisingly graphic bloody bits. But Crimson Peak just didn’t quite hit the mark for me.

I’m not sure if it was the acting or the story that annoyed me. But I was disappointed to see Charlie Hunnam, you know, the guy out of Sons of Anarchy, playing the part of Dr. Alan McMichael. What a waste. I found Mia Wasikow, playing Edith Cushing, a bit forced. This also could have been the script writing. But I found her the same in Alice in Wonderland (2010), so maybe I’m just not a big fan. There were a few red (ha, ha, excuse the pun) herrings in the story as well. Nothing was ever made of Edith being a writer, yet this seemed the most important part of her character.

The saving grace was the visual effects. There’s something about falling snow within a grand old castle. With chandeliers, sweeping staircases and dark ghosts creeping out of the shadows. Very nicely done, if not over-done. Really, there can be such a thing as too much crimson!

I’d say Crimson Peak is suited to a younger crowd, even with the gory bits. Those who enjoyed The Twilight Saga film series would probably enjoy this film. More of a teen love story with ghosts and guts.

The prevailing feeling was a bit, ho-hum, for me.

 

The Martian

The MartianDirector: Ridley Scott

Written By: Drew Goddard (screenplay), Andy Weir (book)

Starring: Matt Damon, Jessica Chastain, Kristen Wiif, Jeff Daniels, Michael Peña, Sean Bean, Kate Mara, Sebastian Stan, Aksel Hennie, Chiwetel Ejiofor, Benedict Wong, Machenzie Davis and Donald Glover.

Let me start by saying I’ve been in trouble with a now ex-boyfriend for stating, ‘I love Matt Damon!’

I’m sure most would agree he’s just such a loveable guy (think about his previous films, Good Will Hunting, all the Bourne films, The Departed… Well he played the bad arse in that one, but still, a bloody good film!), and I think this inherent adoration for Matt Damon is why, The Martian, is a success. If we didn’t like the character, Mark Watney, we wouldn’t care if this astronaut got home or not.

The story is set on Mars where an unexpected severe storm forces the team to abort their mission early and return to Earth. Thinking Mark Watney is dead, the team leave him behind only to discover, through much techie innovation on the part of both NASA and the astronaut, Mark, that he’s still alive.

Who doesn’t like a good survival story, eh?

The cinematography is very classy indeed. I just had to go watch in 3D and was rewarded with vast, burnt sunsets and expanses of stars.

The soundtrack was upbeat. A highlight for me watching the character Mark get his boogie on to some disco in spite of himself.

And I loved the fact there was some believable science and technology in the film.

The story had its tense moments but was fairly predictable.

 

Last Cab to Darwin

Last-Cab-To-Darwin[1]Director: Jeremy Sims

Writers: Reg Cribb, Jeremy Sims

Starring: Michael Caton, Jacki Weaver, John Howard, Emma Hamilton, David Field, Mark Coles Smith

This is not a comedy people!

I’d been feeling my mortality, as we all do from time-to-time (nasty motorbike burn while travelling in Vietnam gone septic upon arrival home.  Oh, and the flying.  Flying seems to get me thinking these days too…  Anywho…), so to cheer myself up, I thought, I’ll go and watch something uplifting. Not a horror or thriller, a good Aussie drama with a bit of comedy thrown in the mix… I should have done my research…

Last Cab to Darwin is an adaptation of the stage play written by Reg Cribb about the true story of a taxi driver, Rex (played by Michael Caton), when diagnosed with terminal cancer, drives to the Northern Territory to take advantage of the voluntary euthanasia law.

This is not the sort of film you go to see for a laugh, this is where you go with a hidden tissue in your sleeve so you can at least casually wipe the snot off your face, and perhaps a glass of wine to swallow over that lump in your throat because no, you will not bawl in front of strangers in a movie theatre. No. But those tears flow, and I figure people won’t notice if I don’t wipe them away. Then I do because they’re dripping now. And then crusty old Rex makes me smile because this is one of those movies that’s also sweet so you smile and that just makes you cry more.

I liked this film because the story felt authentic. I recognised the backdrop of Alice Springs, the red rocks, sign posts and salt bush. Loved the crusty old characters. I wasn’t looking for a tear jerker, or a film about euthanasia with a bit of a love story; the complex relationships between friends and family when dealing with death… But I liked it.

Original music composed by Ed Kuepper is a feature of this film. Music is important for me.  I find my emotional response to a scene greatly influenced by the soundtrack.  In this film I found the score was subtle, never taking away from the acting of truly great artists who starred in this film. It was there and it was good and it suited the movie.

It was thoughtful, the way the complex emotions of dying were shown. There was a depth here, handled with a very light touch.

 

Ex Machina

Ex MachinaDirected and Written by: Alex (you got some problems buddy) Garland

Starring: Alicia Vikander, Domhnall Gleeson,Oscar Isaac

I wouldn’t recommend it.

Aside from the fact it was boring as hell (the 2 glasses of wine I had beforehand did not liven things up), the plot, I gathered, was that women were machines. There were no male machines. And yes, spoiler alert, Ava, the woman machine won. But not after taking bits and pieces from all the other women machines.

The film left me wondering what the writer thought of women. I very rarely react like this to films, but it seemed to me that the writer really had issues. The plot was basically: I am a woman. I will manipulate you to escape. I will steal from other women. Then, and only then, can I be free. There is no twist. No thought provoking moment. Ex Machina is a cold and calculating film.

I’m not one for cheese, but this film really didn’t resonate, even on a techie level. The philosophy of manipulate and take didn’t ring true to me. Yes, I guess that’s what machines with AI may be in the future but what does that say about women? About what men think of women? It’s a dog eat dog world out there… I guess…?

Look, I’ll say the machines looked realistic. The acting, well, the most rounded character was Nathan, the creator who used the machines in the first place. Caleb, the character who came to assist Nathan, didn’t show any humanity at all. At one point I thought he was going to turn out to be the male machine! That would have been a twist! But no…

I liked Nathan because at least he drank, and would exercise to work the alcohol off. I can relate to that. But the relationship between man and machine was never really clarified. The machines won by reflecting who they imagine women to be. Leaving the men behind and the other machines smiling as pieces are taken from them for the greater good of the machine, Ava. I found this to be shallow, cold and calculating. I’m guessing the premise was to relate to the AI and it didn’t happen for me. Therefore, I felt no joy when the machine succeeded. And how is the machine going to survive without maintenance? By killing the creator, how does the machine survive? I found there were a lot of unanswered questions for a SciFi.

As I said: dog eat dog ‘til the battery (or booze) runs out!